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Posts by tag

Rumpus Reviews

107 posts
  • Features & Reviews
  • Reviews
  • Rumpus Original

A Vowel Away From Master

  • Christian Anton Gerard
  • November 11, 2009
These poems often resist the reader in the same way his speaker resists his father, but the book’s exploration of such distance creates a closeness between the reader and the…
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  • Features & Reviews
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  • Rumpus Original

A Squared-Off Landscape Representing the World

  • Rachel Richardson
  • October 28, 2009
A Village Life is the work of a mature poet looking out at the world from a window, but now concerned with the larger cycles in which she participates, instead…
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  • Rumpus Original

A New Cult of Domesticity

  • Virginia Konchan
  • October 7, 2009
The speaker of The King doesn’t play into the randomly generated poems and discursive ironies of her generation; she lifts the curtain to the production, exposing the history of language’s…
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The Organization of Pain and Joy

  • Zachary_Pace
  • October 1, 2009
Tom Healy’s first collection of poems, What the Right Hand Knows, is fashioned entirely of artful silence and alluring reticence.
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Poems for the Gmail Generation

  • Steven Tagle
  • September 10, 2009
Brandon Scott Gorrell’s debut collection, During My Nervous Breakdown I Want to Have a Biographer Present is an anxious, ambivalent ode to Internet culture.
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A Vestige Stirred By Light

  • Barbara Berman
  • August 31, 2009
The Next Settlement has a rock-solid American quality that compares favorably to William Carlos Williams.   Think Plymouth and ocean waves constantly changing, hypnotic in part because of the mysteries beneath.
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Take Dead Aim

  • Sean Singer
  • August 11, 2009
Aim Straight at the Fountain and Press Vaporize is ambitious and clever. By turns entertaining, fascinating, and charming, it is also monotonous with its adolescent charm and fluorescent insistence.
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“Trouble on the way, and great joy”

  • Virginia Konchan
  • August 4, 2009
In a place where names are lost like household objects, and white noise supplants meaningful distinctions between voices and people, why the need for singularity (or personhood) at all?
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Fingers Through Holy Water

  • Brian Spears
  • July 30, 2009
Gospel music, like its secular cousin the blues, never wallows in pity, but instead seeks to transcend pain and reach glory. Bashir’s book makes the same trip.
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Tissue of Flesh and Light

  • Barbara Berman
  • July 21, 2009
Marchant transforms potentially stale-sounding specifics into a breathing, universally grasped object as writer, reader and paradoxically, the “no longer beautiful mind” are in communion, even if the mind presented cannot…
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Beautiful Horrible

  • Dawn Trook
  • July 11, 2009
“I like to see the most aggressive of [horror movies]—Dawn of the Dead, for instance—as lifting a trap door in the civilized forebrain and throwing a basket of raw meat…
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