Bitch is where many of today’s feminist internet denizens (yours truly included) got our start reading and writing about culture with a critical eye. In many ways, Zeisler’s book is…
Upbeat YA protagonists are a far cry from the tortured figures we’re used to watching on television. Flavorwire’s Sarah Seltzer makes her predictions for Nancy Drew and Anne of Green…
Is The Hunger Games feminist? Does it matter? Flavorwire’s Sarah Seltzer wonders whether we’re asking the wrong questions: It seduces us with a good-vs.-evil premise, but then muddies the entire…
If you like some of the things, why not read all of the things? Flavorwire’s Sarah Seltzer wonders why fans lose steam as we near the completist finish line: Maybe…
No one is forcing you to finish True Detective: …sometimes it’s OK not to “wait for the payoff.” Sometimes we just don’t like something, and we know that early on.
Women are winning fewer book prizes than men. And narratives about women don’t fair as well when it comes to prestigious prizes either. In fact, looking at the data, the most…
It sucks to read through an essay and just abruptly read a student’s usage of rape as an analogy for, like, soccer. For Flavorwire, Sarah Seltzer discusses the importance of…
It’s hard to enjoy reading Pride and Prejudice for the umpteenth time when the stack of books on your bedside table keeps reminding you of all the cultural capital you…
Can mansplaining ever be productive? Flavorwire’s Sarah Seltzer suggests that while Jon Krakauer’s ignorance may be infuriating, his “show don’t tell” approach to writing about rape in Missoula might help…
Muggle-born students of Hogwarts are an underprivileged class, while magic-born students enjoy unquantified privilege, argues Sarah Seltzer over at Flavorwire. Rowling creates a world where privilege and power are coupled…
Art is problematic. Humans are problematic. Roxane Gay is a bad feminist. We know this, yet still we attack each other for liking Lil Wayne or Fifty Shades of Grey. Flavorwire‘s…
The literary idea that friends’ lives represent unmade choices, roads not taken, is applicable across gender and genre. Naturally, however, it has a particular resonance for women, because so many…