Luke Cage: When Representation Isn’t Enough
This show’s true strength is its diverse portrayal of African-American subjectivity and morality, amongst both the male and female characters.
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Join NOW!This show’s true strength is its diverse portrayal of African-American subjectivity and morality, amongst both the male and female characters.
...moreIt’s time to take responsibility for compliancy.
...moreI’ve begun to question my place in society, my place in a country that wants me to remain silent. Mostly, I question my choice to remain silent.
...moreNovelist LaShonda Katrice Barnett discusses her debut novel, Jam on the Vine, how becoming a historian taught her about plot, Muslims living in Texas in the 19th century, and the Missouri State Penitentiary, also known as “the bloodiest 47 acres in America.”
...morePeople have been writing about civil rights for years, but it’s taken Hollywood until now to warm up to the subject (of course, not enough). Bill Morris traces the history of the movement’s cinematic representations leading up to Ava DuVernay’s recent triumph: Movies about the civil rights movement — the successful ones– have tended to […]
...moreIn The New York Review of Books, Francine Prose analyzes “the recent controversies about the accuracy of ‘historical’ films” in Hollywood, concluding that maybe “the real source of controversy isn’t the question of truth in historical films, but rather the subjects of historical films—and how vexed those subjects are.”
...moreOver at the NYRB, Darryl Pinckney deconstructs Ava DuVernay’s Selma, starting from seat of a laymen cinema-goer, and then tying it all back to what actually happened.
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