Alexandria Marzano-Lesnevich discusses The Fact of a Body: A Murder and a Memoir, the importance of narrative structure, and the difference between facts and stories.
One story mirrors our identity—any of us could be falsely accused! The other tale is about the Other—because it’s unfathomable that one of us would commit murder. We aren’t killers; they are.
It is an uncomfortable admission, but we hunger for stories that sensationalize the extremes of human behavior. We want to crawl under the police tape and see the outlines of bodies.
I’m going to learn to let my murder flag fly, flap by tiny blood-stained flap. For some, the fantasy isn’t enough. They have to read about real people dying in…
The Read Along is a new column that offers a glimpse into the reading habits of real-life writers. Our first installment features Kelsey Miller, author of the memoir Big Girl and columnist at Refinery29.
This American Life spinoff Serial is a nonfiction podcast told over multiple episodes. Premiering back in October, Serial explores the case of Adnan Syed, who has been sentenced to life in…
Building an academic audience. The technology of your childhood. Academic innovation and the blame game. Pain and your brain and gain. When Reddit and journalism collide.
Victorians: The original futurists. Can Sony stop the leaks? Can social media stop vitriol and still maintain freedom of speech? Should you go to jail for your Facebook profile? What…
At Salon, Laura Miller covers a recent update in the ongoing criticism of—and legal proceedings involving—Truman Capote’s In Cold Blood. Ronald Nye, the son of Harold Nye, a former agent…