Jessa Crispin talks about The Dead Ladies Project and The Creative Tarot, founding Bookslut, why she has an antagonistic relationship with the publishing industry, and her estrangement from modern feminism.
BDSM, like writing, can be so self-serious. By letting go of my formal commitment to both, I found ways to release my expectations, and as a result, let them back into my life in healthier and more fulfilling ways.
Alida Nugent talks about her new book You Don’t Have to Like Me: Essays on Growing Up, Speaking Out, and Finding Feminism, the messiness and realness of sex and sexuality, and putting likeability last.
Plankton either grows into something other than plankton—a strong swimming non-planktonic adult, like a crab or a fish, or it stays the same—forever drifting with the shifting tides.
Garth Greenwell discusses his debut novel, What Belongs to You, crossing boundaries, language as defense, and the queer tradition of novel writing that blurs boundaries between fiction and essay and autobiography.