“Funny Women” submissions don’t read themselves. Most of the time Assistant Regional Funny Woman Katie Burgess reads them (she wrote the infinitely funny “How to Read a Poem,” anthologized in Oxford University…
When The Bennington Review re-launched this past April after thirty years, its first issue packed a table of contents studded with prize-winning authors and exciting emerging voices. This week, to…
Seeing is a critical part of normalizing, and though it seems like a rudimentary expectation, it’s important for American audiences to see Korean-Americans simply living their lives.
An agenda can only exist when there is a contingent opposing it. We only push for representation when so many hours and characters of wrath are poured into keeping us out.
For Lit Hub, book designer Jennifer Heuer reflects on sexism in publishing and analyzes “chick-lit” book covers that rely on gender stereotypes to target female readers: The bigger discussion is…
Cole Lavalais discusses her debut novel, Summer of the Cicadas, why she’s a huge fan of outlining, and the importance of dedicated communities for black writers.
Women writing about women is popular right now in the publishing world—like Emma Cline, who recently released The Girls. USA Today runs through the many books about women, by women.…
Supposedly “unlikable” female characters are often the most complex, humanly flawed, and interesting ones—yet many readers are perturbed by such representations of women. In an excerpt from her collection The…
Is it possible to separate Knausgaard the author from Knausgaard the protagonist? At the New Republic, Tess Crain asks this question, taking a look at the series from a woman’s…