Alexander Chee writes for LitHub on Elena Ferrante’s pseudonymous, social-media-free existence and the choices other authors have made to dis/engage with social media at points in their careers: Ferrante’s anonymity…
Author Christopher Bollen talks about his sophomore novel, Orient, secrets and privacy, sexual orientation in fiction, and the lost art of the whodunit mystery.
If you’re going to spend so much time on social media, you might as well make art out of it. The Atlantic‘s Olivia Goldhill looks at the inevitable rise of…
The sound of “pobreza” (poverty) and “filia” (-phile) pushed together could almost sound poetic, if the word didn’t mean having a sexual affinity for poor, young women. Over at The…
Aliza Licht, former SVP of Communications for Donna Karan International, talks about her debut career guide, what she wishes she knew when she was starting out, and how to build an audience on Twitter.
In a new history of the evolution of language, Matthew Battles focuses on humans’ relationship with writing. For Slate, John H. McWhorter argues that Battles’s distinction between the written and…
For The Millions, Adam Boffa compares Lydia Davis’s short stories to social media. He argues that Davis’s compressed language, as well as her emphasis on routine and tragedy, works to “recreate…
I have heard writers take a stand that they are above Twitter and Instagram, superior for not participating in social media. It’s true the self-promotion feels inauthentic and tacky, but…
At the Guardian, Sarah Hughes profiles young adult author Louise O’Neill, whose novels Only Ever Yours and Asking For It have received acclaim for embracing “dark themes” surrounding body image, sex, and social media: When I…
Twitter isn’t always toxic. The technology of the dinosaur epic. Score one for lady gamers. Can math solve questions of authorship? Toys are as creepy as you think.