Social Media

  • Paper Trumpets #27: I Don’t Remember How It Ends

    Paper Trumpets #27: I Don’t Remember How It Ends

    I wanted to put that image inside a scene that disrupts the beauty of it.

  • The Writer and Social Media

    Alexander Chee writes for LitHub on Elena Ferrante’s pseudonymous, social-media-free existence and the choices other authors have made to dis/engage with social media at points in their careers: Ferrante’s anonymity is something of a feminist project, also. No one is…

  • The Rumpus Interview with Christopher Bollen

    The Rumpus Interview with Christopher Bollen

    Author Christopher Bollen talks about his sophomore novel, Orient, secrets and privacy, sexual orientation in fiction, and the lost art of the whodunit mystery.

  • New Forms

    If you’re going to spend so much time on social media, you might as well make art out of it. The Atlantic‘s Olivia Goldhill looks at the inevitable rise of maybe-joke, maybe-for-real Twitter fiction.

  • The Girl in the Photograph

    The sound of “pobreza” (poverty) and “filia” (-phile) pushed together could almost sound poetic, if the word didn’t mean having a sexual affinity for poor, young women. Over at The Morning News, Rumpus Assistant Books Editor Julie Morse writes about…

  • The Rumpus Interview with Aliza Licht

    The Rumpus Interview with Aliza Licht

    Aliza Licht, former SVP of Communications for Donna Karan International, talks about her debut career guide, what she wishes she knew when she was starting out, and how to build an audience on Twitter.

  • People Talk

    In a new history of the evolution of language, Matthew Battles focuses on humans’ relationship with writing. For Slate, John H. McWhorter argues that Battles’s distinction between the written and spoken word misunderstands how we use the Internet: Much of…

  • Lydia Davis: A Prolific Tweeter

    For The Millions, Adam Boffa compares Lydia Davis’s short stories to social media. He argues that Davis’s compressed language, as well as her emphasis on routine and tragedy, works to “recreate a phenomenon that occurs daily on social media”: Davis’s work, and…

  • Repost At Your Own Risk

    140 characters may not seem like much, but when writing is your career, every letter counts. Joke-stealers beware: Twitter is coming for you.

  • A Literary Chorus: Communities On Twitter

    I have heard writers take a stand that they are above Twitter and Instagram, superior for not participating in social media. It’s true the self-promotion feels inauthentic and tacky, but it can be brave to participate in the conversation with…

  • Honest About the Body

    At the Guardian, Sarah Hughes profiles young adult author Louise O’Neill, whose novels Only Ever Yours and Asking For It have received acclaim for embracing “dark themes” surrounding body image, sex, and social media: When I wrote Only Ever Yours it was at a time when I was…

  • Weekly Geekery

    Twitter isn’t always toxic. The technology of the dinosaur epic. Score one for lady gamers. Can math solve questions of authorship? Toys are as creepy as you think.

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