If there was ever a case for women avoiding Botox, Diana’s signature skepticism for the patriarchy is it. She has never encountered womanhood as subordinate, and she’s not about to start.
Tara Betts discusses her newest collection, Break the Habit, the burden placed on black women artists to be both artist and activist, and why writing is rooted in identity.
In A.O. Scott’s eyes, summer blockbusters and workplace sitcoms aren’t that different these days: Part of what makes work tolerable is the idea that it is heroic, the fantasy that…
I send my scripts to at least three trans people every time, to make sure I am not speaking incorrectly, and that I am touching on points that would be…
Neurons act like Donald Trump. A beetle named for both Darwin and David Sedaris? It’s quiz time. Holy leaping electric eels! Books you can binge. The ultimate superhero is not Batman, says science. Martin Shkreli,…
I find the more furtively I move between genres, the more I surprise myself as a writer. Moving between genres, you carry curious things over and also carry them away.…
Kill Bill is revolutionary because it disrupts both content and genre, beautifully showcasing what these superhero-action stories so consistently overlook, while embodying the success of what the genre could achieve.
Because it’s Saturday, and because at heart I’m a child, Who Pooped? It’s hard to say just how super they are, but there are superheroes roaming around. I wonder if…