Posts Tagged: surrealism

Reality Is Absurd: Talking with Ted O’Connell

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Ted O’Connell discusses his first book, K: A NOVEL.

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Owning the Narrative: A Conversation with Megan Fernandes

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Megan Fernandes discusses her new collection of poetry, GOOD BOYS.

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Alive and Slippery: Talking with Megan Giddings

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Megan Giddings discusses her debut novel, LAKEWOOD.

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Too Bright to Belong: A Conversation with Clare Beams

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Clare Beams discusses her debut novel, THE ILLNESS LESSON.

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The Rumpus Mini-Interview Project #202: Michelle Steinbeck

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“I wanted every reader to see her or his own story.”

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Translating Desire: The Erotic-Macabre Poetry of Joyce Mansour

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…women’s writing has often been deemed too dark, too sultry, too frigid, too hysterical.

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David Biespiel’s Poetry Wire: W. S. Merwin: An Appreciation

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The psyche is haunted by its own swollen intimacies, Merwin’s poems remind us.

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Barbara Berman’s 2018 Holiday Poetry Shout-Out

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Barbara Berman’s 2018 Poetry Shout-Out!

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The Rumpus Poetry Book Club Chat with Peter Mishler

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Peter Mishler discusses his debut collection, Fludde, the effect of ritual on poems, and childhood psychology.

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The Rumpus Mini-Interview Project #103: Andrew Battershill

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Picture the French Surrealists recast as mobsters running a crime ring and you have the premise for Batterhill’s story.

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Sound & Vision: Arthur Fournier

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Allyson McCabe talks with Arthur Fournier, an independent dealer of books, serials, manuscripts, and archives, about how he developed his niche, and how digital access has both enriched and complicated the work of archiving and collecting.

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The Big Idea: Dawn Tripp

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Dawn Tripp discusses Georgia, her new novel based on Georgia O’Keeffe’s life, O’Keeffe’s distancing herself from feminism, and balancing biography with fiction.

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Facing Reality in China’s “Ultra-Unreal” Literature

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A literary movement aiming to express the surrealist daily life of modern China (a reality that can’t be captured by traditional genres like satire or horror) is giving the next generation of Chinese authors the opportunity to subtly critique their surroundings without government backlash. Author Ning Ken calls this new genre choahuan, or ultra-unreal, which […]

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The Rumpus Interview with Max Ritvo

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Max Ritvo passed away on August 23, 2016. Earlier this summer, he spoke with Sarah Blake about his debut collection Four Reincarnations, writing with and about cancer, and how language is a game.

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The Saturday Rumpus Interview with Ramona Ausubel

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I find tremendous hope in the act of storytelling—the way we can redirect energy, to reclaim history, to build back lives that have been otherwise upset.

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Shhhh…

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In a world of noise, let the message of Teju Cole’s surreal short story over at The New Inquiry speak for itself: “But it is so weak!” the people shouted. “It is not beautiful, or intelligent, or brave, or well-dressed, or charming, or gifted in oratory. How can it grow in strength and influence so?” And if […]

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The Saturday Rumpus Interview: Keith Newton

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What’s interesting, of course, is how modern life could easily be seen in the opposite way—as an ever-expanding domain of individuality and self-expression.

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The Rumpus Interview with Rebecca Schiff

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Rebecca Schiff discusses her debut collection The Bed That Moved, choosing narrators who share similarities with each other and with herself, and whether feminism and fiction-writing conflict.

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The Rumpus Interview with William Cusick

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Director William Cusick discusses his new film, Pop Meets the Void, its unconventional narrative structure, simultaneously acting and directing, and the universal urge to create.

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“Throw Something Down Hard Enough, You Discover Its Laws”

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Maybe my faith that the profoundest feeling we’re offered by art that really hits us deep in is a setting free, a series of screens or horizons obliterated somehow lovingly.

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The Rumpus Review of The Revenant

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On its surface, The Revenant is a story about revenge and survival. On a deeper level, it’s about how those two motivations factor into a generational battle between the (God-like) forces of nature and industry—a sort of perverted Armageddon.

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