The Lost Boys had their moment in the media, but these people, these survivors, not boys at all and not lost now either, are still here, living lives, growing and changing and thinking and reflecting.
On its surface, The Revenant is a story about revenge and survival. On a deeper level, it’s about how those two motivations factor into a generational battle between the (God-like) forces of nature and industry—a sort of perverted Armageddon.
From the start, All Is Lost understands what makes the survival genre great: an uncompromising dedication to what happens on the screen and a refusal to linger over why it happens or what it means.
At the end of his first day on the raft, as the light dwindled to nothing and the chill of night settled around him, did he close his eyes and wish for sleep, wish for dreaming, wish to somehow be transported home to his family, or at least away from the open sea?
Though I have doubted my talent, I’ve never doubted my conviction that this was the path I had to be on. Writing is like my Siamese twin: freakish, alive, weighty, uncanny. Were we to be separated, I doubt that I could survive it.