ENOUGH: Encumber (A Brief History)
A Rumpus series of work by women, trans, and nonbinary writers that engages with rape culture, sexual assault, and domestic violence.
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Join NOW!A Rumpus series of work by women, trans, and nonbinary writers that engages with rape culture, sexual assault, and domestic violence.
...moreTrauma’s wing conceals and reveals.
...moreAlisson Wood discusses her debut memoir, BEING LOLITA.
...more“You are so sexy,” he said. I met his gaze. And the warning bell rang.
...moreIt feels like a luxury to have just enough.
...moreA Rumpus series of work by women and non-binary writers that engages with rape culture, sexual assault, and domestic violence.
...moreDebut author Allie Rowbottom interviews her mentor, Maggie Nelson.
...moreA Rumpus series of work by women and non-binary writers that engages with rape culture, sexual assault, and domestic violence.
...moreA Rumpus series of work by women and non-binary writers that engages with rape culture, sexual assault, and domestic violence.
...moreThere is no greater act of love than to hold someone accountable for their mistakes.
...more“I wanted to make these characters much more complex than the individual boxes we normally see.”
...moreCan a person with some agency ever claim victimization, or are agency and victimhood a binary?
...moreThey say justice is blind, and a lady, but it is neither. Justice is a wheel.
...moreClare Beams on We Show What We Have Learned and the “living strangeness” of short fiction.
...moreI’m a small blue dot living in a blood-red corner of a red state, so I’ve grown accustomed to hearing right wing talking points. I don’t like them, but they surface as regularly in my southwest Florida town as white egrets on the highway and dolphins in the Gulf. Talking points at the grocery store, […]
...moreHe wasn’t just my teacher. He was the rockstar teacher of our theater program.
...moreAt the Paris Review, H.S. Cross analyzes Ernest Raymond’s 1922 novel, Tell England. He explores the unique and charged relationships between a schoolteacher, Radley, and his students, Ray and Doe. The boys have an unexpected and, at least initially, seemingly erotic reverence for their teacher, which, Cross concludes, reflects the confusing and sacrificial relationship between man and […]
...moreThis week, let’s talk about dialogue. As with any facet of writing, there are “rules.” Don’t be too formal—real people don’t talk like the dictionary. Don’t be so informal—all that slang is distracting. Use dialogue tags sparingly. Use more dialogue tags to clarify who is speaking. Always use quotation marks! Throw out the quotation marks! […]
...moreThe representation of writing students in film is an interesting one, as Leah Schnelbach explores for Electric Literature. There exists a trend in which writing students are shown to be young and innocent, learning from inadequate teachers. Schnelbach attempts to explain why this trend exists, and wonders if it can be changed: …the public image of […]
...moreWendy C. Ortiz talks about her memoir, Excavation, about her teenage affair with her teacher, and how the moment you write down a memory you make it fallible.
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