Luke B. Goebel talks about his experimental novel, Fourteen Stories, None of Them Are Yours, his dark days in San Francisco, hands as blood-bags, and literary Ouija boards.
I’m from South Texas. I’ve taken Chicano literature courses. I’ve helped organize symposiums featuring Mexican and Mexican-American authors. But I had never heard of Amado Muro.
Musician Monte Pittman, who collaborates with Madonna, talks with Allyson McCabe about guitar, his childhood in Texas, and passing on what he's learned to others.
We moved to Dallas from a small market town in the middle of England. We spent our first Christmas in America driving around our adopted Texan neighborhood, noses pressed against the car windows, looking at the miles of sparkling houses.
Last year, we covered Wendy Davis’s heroic attempt to prevent a draconian anti-abortion bill from passing in Texas with two phenomenal essays, one by Callie Collins and one by Amy…
We’ve written before about the blossoming Austin publishing scene, particularly the small press A Strange Object and their first title, Three Scenarios in which Hana Sasaki Grows a Tail by Kelly…
I can’t tell you how much these guys scared Nashville. Texans didn’t know who was boss. Texas Monthly has a must-read oral history of the creation of a new type…
I was new to Austin and to adulthood, and if adulthood meant dressing up in pencil skirts and suffering, well, I’d pretend that was as glamorous as it looked in old movies. I didn’t care. I loved it. I’d kiss it like the girl in the song kissed ice and dirt.