Until recently, coming out was almost always dangerous—not only to our careers and our relationships but also to our bodies. And so hiding was (and sometimes still is) a necessity.
Reading Maggie Nelson can be like banging your head against the wall of categories—or being miraculously freed from them. At Fiction Advocate, Colter Ruland elicits an explanation of hybridity from…
[Memoir] comes alive at the fissures of its coherency: when a narrator is struggling to hold the self together in a text—for the reader’s sake if not also her own.…
Hilton Als of the New Yorker speaks with Maggie Nelson and her partner Harry Dodge about the continuum of life, work, love, and gender. Nelson’s most recent book, The Argonauts, rises with…
As we said our vows, we were undone. We wept, besotted with our luck. Maggie Nelson, interviewed by Paul Laity for the Guardian, talks about her life before and during her deservedly…
For the New York Times, Amanda Hess gives us a brief history of the increasingly prominent and ambiguously-gendered singular they, from usage in Shakespeare to Girls and The Argonauts.
I would go so far as to say that the entire reason I write is to detect all the irony that language allows and twist it around the truth like razor wire and ivy. That’s how I like my truth: twisted.
Over at BOMB, A.L. Stein sits down with Maggie Nelson, author of The Argonauts, to chat about metaphysics, attachments, and her relationship with the normative: “The normative/transgressive dichotomy is so…
Author Maggie Nelson talks about matrophobia, “sodomitical maternity,” breaking down categories between genres of writing, and her new book, The Argonauts.