[W]hat’s so startling about these poems is how Dubrow spends her poetic energies grappling with the classical treatments of the past to thrilling and unexpected effects.
Kristopher Jansma discusses his second novel, Why We Came to the City, facing adulthood in his thirties, and working through grief and loss in writing.
A god does not intervene. A mortal dies. Things happen repeatedly, then suddenly they differ. That rhythm of action, which combines repetition with asymmetry, is the rhythm of Homeric narrative…
Rumpus head illustrator Jason Novak has another cool panorama over at The Paris Review. Titled “The Iliad, Improved,” Novak puts his own spin on the Greek epic: “I’d originally intended to treat the…