Tin House
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On Publishers Big and Small
At the Atlantic, Nathan Scott McNamara provides an optimistic view of the symbiotic relationship between massive corporate publishers and small indie houses. Profiling energetic presses like Graywolf, Coffee House, Two Dollar Radio, and Dorothy, McNamara argues: …by inventing new models rather than…
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Mommy Dearest
We have an unfortunate tendency to let motherhood eclipse all aspects of a person’s identity—and then to turn around and call motherhood a faulty aspiration. Luckily there are moms like Antonia Malchik who write anyway, and implore us to remember moms like Elinore Pruitt…
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Douse, Rattle, and Roll
There’s a treasure trove of poetry recommendations at Tin House’s Open Bar. Jessica Lakritz’s Sex on Sundaze is alive: she writes her lines on human bodies. One Tin House staff member declares, “Poetry is the hard liquor of literature, and I choose…
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A Brief History of Pandering
Erasing women writers like Woolson carries immense implications. It creates an environment ripe for the continued marginalization and silencing of women’s voices today.
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The New and Improved Romie Futch by Julia Elliott
Elizabeth Byrne reviews The New and Improved Romie Futch by Julia Elliott today in Rumpus Books.
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The Poetry of Liu Xia
Liu Xia’s burden has become too heavy. Her heart is beginning to fail. In isolation, she can only stare at a tree through her window, a tree that a bird can only dwell on: Is it a tree? It’s me,…
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Baxter’s Informal Decalogue
For Tin House, Susan Tacent interviews Charles Baxter. The two discuss topics ranging from how to write “funny,” to the process that went into writing Baxter’s most recent collection There’s Something I Want You to Do: Short stories can take so many…
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This Week in Short Fiction
Earlier this month, Steven Millhauser released Voices in the Night, a new collection of short stories. On Tuesday, the Boston Globe described the towns of many of the stories in this newest effort as “Millhauserian,” which Eugenia Williamson defines as…
