Tobias Carroll interviews Robert Kloss about his new novel, The Revelator, for Electric Literature. The two discuss the challenges of writing novels in the second person and how history shapes characters: We…
Over at Electric Literature, Tobias Carroll interviews fantasy author N.K. Jemison about her character- and world-building processes, the evolution of her publication history, and narrative structure. I read pretty widely,…
Over at Lit Hub, Tobias Carroll takes a look at three recently reissued books (Our Spoons Came from Woolworths by Barbara Comyns, Genoa by Paul Metcalf, and A Manual for Cleaning…
We can toss around “sci-fi,” “fantasy,” “magical realism,” “surrealism,” and a dozen other genres in our struggle to categorize literature, but the term “weird fiction” is an interesting category that attempts to…
Fiction written under an authoritarian or totalitarian government often dares readers to view the work as a critique of that society. In a review of two science fiction works by…
Book-to-movie adaptations are nothing new, but does the transition work the other way around? Over at Electric Literature, Tobias Carroll examines the capacity of prose to put film on paper:…
After years of anxious separation, people are finally relaxing about the literary/genre fiction divide. Over at Electric Literature, Tobias Carroll asks: now what? We’re now well into a period where…
Saturday 10/18: Poetry Forum 2014. The New School, 10 a.m., $45 daily / $135 full pass. Melissa Buckheit reads poetry along with Corollary Press founder Sueyeun Juliette Lee. Berl’s Poetry…
In Vikram Chandra’s eyes, programming’s a lot like penning a piece: When I first started programming, I was already writing my first novel, and the similarities became obvious right away:…
Tobias Carroll, writing over at Electric Literature, considers the level of detail authors use to create worlds in fiction. Some writers are known for sparse, minimalistic writing. Others leave out key…
Writer, playwright, and poet Norman Lock delves into his process and discusses inserting himself into his own fiction, writing from the perspective of iconic characters, and acting as the lawgiver of one's own imagination.