Notable NYC: 5/6–5/12
Saturday 5/6: Jennifer E. Smith presents Windfall. McNally Jackson Books, 6 p.m., free. Carmen Giménez Smith and Aldrin Valdez join the Segue Series. Zinc Bar, 4:30 p.m., $5.
...morePosts Tagged: Tom McCarthy
Narrowly Avoiding the Spotlight
It took me nearly twenty years and the power of a fine film to fully realize what happened to me in the confessional was an inappropriate act by an adult against a child.
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Rewrite, Reboot, Remix
Rewriting the classics has become a stale and risk-averse strategy. But that shouldn’t spoil the fun of our larger culture of remixing.
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Satin Island by Tom McCarthy
Jonathan Russell Clark reviews Satin Island by Tom McCarthy today in Rumpus Books.
...moreWhere We Write
For T Magazine, seven authors describe the spaces where they write.
...moreFragility of Antiquity
Adam Flemming Petty writes over on Electric Literature about the literature of ruins: This perception of antiquities as fragile rather than permanent, and all the more affecting for their fragility, is common in literature. Writers have often found their imaginations piqued when encountering the broken, the cracked, the falling-apart. The stories that ruins tell are […]
...moreWriting Dies Again
For the LA Times, David L. Ulin responds to Tom McCarthy’s Guardian article on “the death of writing.”
...moreWriting in the Age of Google
If there is an individual alive in 2015 with the genius and vision of James Joyce, they’re probably working for Google, and if there isn’t, it doesn’t matter since the operations of that genius and vision are being developed and performed collectively by operators on the payroll of that company, or of one like it. […]
...moreFacebook and the Avant-garde
…our Franzen problems, these days, are pretty minor. We don’t have to worry that Chip Lambert’s hand-wringing is going to reinforce the old, realist modes of romantic reaction. But we do have to worry about what happens to attempts to resist those modes. Power has not merely untoothed the language of the avant-garde, it has […]
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The Rumpus Interview with Peter Mendelsund
Writer, designer, and thinker Peter Mendelsund talks about book design, the tangled process of reading and perception, and his two new books, Cover and What We See When We Read.
...moreFor Real
Time and again we hear about a new desire for the real, about a realism which is realistic set against an avant-garde which isn’t, and so on. In his new essay over at the London Review of Books, Tom McCarthy looks at the new meanings of terms such as “the real”, “realism” and “reality” within […]
...moreDigital Age Changes Writing
Technology has changed the way writers write, and that change is not just about the rise of e-books. Composition in a digital world is much more malleable and fluid, and changes in methodology alter the structure of sentences and words. Author Tom McCarthy tells the Guardian: Writing with word processors has given a new organisation […]
...moreTom McCarthy Interview
Interview Magazine talks with Tom McCarthy about his novels Remainder, C, and Men in Space (which we reviewed today). Additional topics include McCarthy’s “detour through the art world” and founding membership in the International Necronautical Society, as well as his thoughts on reading while writing. “What’s going on in a literary work are other literary things […]
...moreLost in Space
Both rhetorically playful and plot driven, Tom McCarthy’s first novel, Men in Space, now out in the U.S., floats in between his other novels Remainder and C.
...moreTandem Reading: J.G. Ballard and Tom McCarthy’s Remainder
Remainder by Tom McCarthy can only lazily be compared to Kafka or Murakami, Ionesco or Calvino. Really, there is an English dryness about it that is more like Graham Greene having a surrealist fit. Or Iris Murdoch as edited by Raymond Carver. But the most apt comparison might be to J.G. Ballard.
...moreTye Pemberton: The Last Book I loved, Remainder
Tom McCarthy’s Remainder was a bit of a darkhorse darling when it first arrived on the scene, enjoying attention from everyone and their mother, the latter of whom rightly celebrated it and nearly exhausted it, marking it as possibly “one of the great English novels of the past ten years.” I can do nothing much […]
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