Truman Capote
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How Wonderful It Is to Be So Moved: A Conversation with Sarah Krasnostein
The most truthful we can be in a factual genre is to doubt the attainability of fact at all.
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The Logic of the Book: Talking with Alexandria Marzano-Lesnevich
Alexandria Marzano-Lesnevich discusses The Fact of a Body: A Murder and a Memoir, the importance of narrative structure, and the difference between facts and stories.
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Say Everything: The Fact of a Body by Alexandria Marzano-Lesnevich
Truth is complicated, thorny, and often paradoxical. Marzano-Lesnevich advocates for a version of events that doesn’t attempt to simplify its subjects, that doesn’t reduce human life to weak metaphors.
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The Rumpus Interview with Mila Jaroniec
Mila Jaroniec talks about her debut novel Plastic Vodka Bottle Sleepover,” writing autofiction, the surprising similarity between selling sex toys and selling books, and the impact of having a baby on editing.
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The Last Book I Loved: So Long, See You Tomorrow
By drawing us into his childhood, Maxwell shows us how to revisit our own. We become the storytellers of our own lives.
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Remembering In Cold Blood
To commemorate the fiftieth anniversary of the publication of Truman Capote’s In Cold Blood, David Hayes and Sarah Weinman discuss what makes the book, as well as Capote’s other works, so remarkable: For centuries we’ve been enraptured and revolted, thrilled…
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What Could Have Been
For the New York Times, Alexandra Alter explores how Truman Capote and Harper Lee’s childhood friendship influenced their work, and wonders if the famous duo’s careers would have developed differently if their relationship wasn’t “strained by bitterness and rivalry.”
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The Rumpus Interview with Thomas H. McNeely
Thomas H. McNeely discusses coming of age in the 1970s, Houston’s complicated racial history, and his new novel Ghost Horse.



