Alexandria Marzano-Lesnevich discusses The Fact of a Body: A Murder and a Memoir, the importance of narrative structure, and the difference between facts and stories.
Truth is complicated, thorny, and often paradoxical. Marzano-Lesnevich advocates for a version of events that doesn’t attempt to simplify its subjects, that doesn’t reduce human life to weak metaphors.
Mila Jaroniec talks about her debut novel Plastic Vodka Bottle Sleepover,” writing autofiction, the surprising similarity between selling sex toys and selling books, and the impact of having a baby on editing.
To commemorate the fiftieth anniversary of the publication of Truman Capote’s In Cold Blood, David Hayes and Sarah Weinman discuss what makes the book, as well as Capote’s other works,…
For the New York Times, Alexandra Alter explores how Truman Capote and Harper Lee’s childhood friendship influenced their work, and wonders if the famous duo’s careers would have developed differently if…