Voices on Addiction: Safety in a Blue Light
Television babysat our family—our thirteen-channel set, reception via a rooftop antenna.
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Join NOW!Television babysat our family—our thirteen-channel set, reception via a rooftop antenna.
...moreIt was personal, as the detectives on my favorite shows always said.
...moreHannah Ensor discusses her debut poetry collection, LOVE DREAM WITH TELEVISION.
...moreSaturday is a desert in a motel.
...moreCharacters like Mary and Rhoda hadn’t been turned into stereotypes of single women in their thirties or career women or divorcees. They couldn’t be: they were the first.
...moreEverywhere people are shoving things into the ground—time capsules not to be opened until the year 2100, the more optimistic postmarked for 3000—letters to the future in the language of the now.
...moreI’m a comfort watcher… I retreat into the worlds I know well, with characters that are friends, with outcomes I already understand.
...moreChildren’s television has taken a turn for the educational, but it is still television. Might as well make it good: Unlike contemporary cartoons, Looney Tunes didn’t have a thing to say about teamwork or caring or sharing; on the contrary, its characters nearly always acted alone.
...morePersonal representation weighs heavily on the disabled because we don’t often see each other out in the world.
...moreWhy then are we comfortable with women routinely being cast as the victims of violence? Why don’t we see that as sexist? Where is the outrage?
...moreThere’s a ray of nuclear longing at the center of Transparent…
...moreDear future me, it’s past me. The blogs won. Seeing stories in color. A story of how two people met and fell in love in the 21st Century. TV in your public space.
...moreFrederick Barthelme talks about his new novel, There Must Be Some Mistake, life after teaching, and why food from the Olive Garden is “execrable in the best possible way.”
...moreThis summer’s debate over young adult literature has raised questions ranging from whether adults should read YA to what even counts as thee genre in the first place. The New Yorker’s television critic Emily Nussbaum extends these questions to the world of television, where adolescent dramas have had a different impact on the development and […]
...moreLong-running, writer-driven shows have overtaken American cinema as the most prestigious strand of American visual culture, revealing most of even the supposedly best American movies as risk-averse, unimaginative, and hopelessly bound by their time constraints. Todd Hasak-Lowy argues on the Believer‘s blog that despite TV’s bad rep among literary types, there is Good TV that reaches the […]
...moreMichael Kenneth Williams, the actor who played Omar on the highly-praised HBO series The Wire, is interviewed on Mother Jones. The show is often described as “the greatest television show ever made,” and Williams offers his perspective on why the show has been so successful. “You can go anywhere in the world and you can […]
...moreVeteran director, Darren Aronofsky, is directing a new television series called “Hobgoblin.” How is this piece of news relevant to the literary community? Michael Chabon and Ayelet Waldman are writing the pilot, swept up in the TV magnetism that has attracted more and more seasoned writers as of late. The pilot is about magicians and […]
...moreSalman Rushdie is applying his story-telling skills to a new medium, signing up to do a sci-fi-ish television series, affirming his belief that TV maximizes communication because of its wide appeal. His new work will be called “The Next People.”
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