The Rumpus Mini-Interview Project #138: Melissa Broder
“We have what we need inside us already, it’s just a question of uncovering it, of remembering who we are again and again.”
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Join NOW!“We have what we need inside us already, it’s just a question of uncovering it, of remembering who we are again and again.”
...moreMelissa Broder discusses her debut novel, The Pisces (Hogarth, May 2018), the importance of love between women, and mermaid sex.
...moreWriter and academic Lauren Elkin discusses her latest book Flâneuse: Women Walk the City in Paris, New York, Tokyo, Venice and London, the freedoms and constraints of urban space for women, and the power of first person.
...more“To read,” wrote E.M. Cioran, “is to let someone else do the work for you.” Indeed, David Kukoff has done extensive footwork collecting an array of varied experiences to give us an idea of what it was to live in LA during what might arguably be one of its most pivotal decades. His new anthology, […]
...moreThe Rumpus Book Club chats with Martin Seay about his debut novel The Mirror Thief, the Great Work of alchemy, researching optical prosthetics, and keeping plot lines straight in a 600-page novel.
...moreOttessa Moshfegh discusses her first full-length novel, Eileen, betrayal, self-aware narrators, and the catalytic properties of friendship.
...moreWhile we’re on the subject of the Venice Biennale, New York Magazine has an interesting article about the artist Swoon and her latest project, The Swimming Cities of Serenissima: a fleet of boats made from New York City trash, which they have (by now) sailed from Slovenia and navigated into the canals of Venice.
...moreYou look at a John Wesley picture and you feel a thousand things at once. As a part of the Venice Biennale, Prada, or the Prada Foundation, is presenting a retrospective of the American pre-pop master’s vivid work (The Daily Beast has posted the online gallery). But “blockbuster” retrospectives aside, you look at a John […]
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