This Week in Essays
At The California Sunday Magazine, Brooke Jarvis has a devastating piece about missing persons and family members lost over the border. For VIDA, Jean Ho shares her discouraging experience at the Bread…
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VIDA
53 posts
The Rumpus Mini-Interview Project #56: Patricia Engel
I met one of my favorite writers before she ever published a single story. We were classmates vying for our MFAs in Creative Writing from Florida International University and would…
The Pleasure of Recognition
Ferrante’s novels about women like Lila and Lenu are a potent reminder that working-class women’s perspectives are out there, even if we can’t always hear each other, even if we’re…
The Rumpus Interview with Leigh Stein
Leigh Stein discusses her new memoir, Land of Enchantment, co-founding Out of the Binders, and why most of her projects begin as "an idea that someone else pushes back on."
The Rumpus Interview with Becky Tuch
Becky Tuch discusses founding The Review Review, motherhood, creativity, and the future of literary magazines.
Labor of Love
Writing as art can be what economists call a “non-market” activity. The time we spend writing poems or novels, like the time we spend doing laundry, is usually time not…
The Rumpus Interview with Terese Svoboda
Poet Terese Svoboda talks about her biography of the socialist-anarchist firebrand and modernist poet Lola Ridge, Anything That Burns You, and remembers a time when the political was printed in newspapers.
Goodbye Important, Inappropriate Literary Man
Jezebel’s Jia Tolentino discusses “the end of the era of the important, inappropriate literary man” in context of the sexual abuse allegations against Iowa Workshop visiting professor Thomas Sayer Ellis.…
The Lulu Fund: Burning Down the House
The Lulu Fund is a new organization founded by Anna March, Ashley Ford, Jen Fitzgerald, and Ashley Perez dedicated to breaking down barriers within the writing community. The Lulu Fund mission statement…
The Amazing Disappearing Woman Writer
To refuse to disappear at mid-life—I am forty-two as of the writing of this essay—is perhaps the best rebellion a woman poet can make to the literary world and to the world at large.
Letting Whiteness Go
Over at Salon, Erik Anderson tackles the “implicit whiteness of Literature,” hoping for a VIDA-like count devoted to writers of color.