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Posts by tag

Virginia Konchan

27 posts
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  • Features & Reviews
  • Poetry
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“The Children” by Paula Bohince

  • Virginia Konchan
  • October 10, 2012
The plosive thrills and quietly mournful tenor of the finely-wrought poems Paula Bohince’s The Children (her second full-length collection) reward enormously upon first encounter, and only more so upon subsequent…
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  • Features & Reviews
  • Poetry
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I Am Your Slave Now Do What I Say by Anthony Madrid

  • Virginia Konchan
  • July 14, 2012
If this collection didn’t have one again questioning the origin and provenance of poetry (other than the intellect or empirical self), the poems would be getting short shrift.
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  • Features & Reviews
  • Poetry
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Madame X by Darcie Dennigan

  • Virginia Konchan
  • June 15, 2012
Madame X pilots the idea that the line between reality and dream is not so much collapsible as it is meant to be collapsed.
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  • Features & Reviews
  • Poetry
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  • Rumpus Original

The Grief Performance, by Emily Kendal Frey

  • Virginia Konchan
  • May 18, 2012
Emily Kendal Frey’s compact, laconic poems from her first collection, The Grief Performance, outwit, outlast, and, eponymously, outperform not only death, but failure, ennui, and despair. How, you ask? For starters, the…
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  • Poems
  • Poetry

National Poetry Month Day 32: “Zoo” by Virginia Konchan

  • Rumpus Original Poems
  • May 2, 2012
We’re never satisfied with the thirty days that April allots us for National Poetry Month, so we’re extending it a bit. Enjoy! Zoo Unbridled, the sick pony traverses listlessly a…
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  • Features & Reviews
  • Poetry
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  • Rumpus Original

A Sunny Day is a Sufficient Cathedral

  • Virginia Konchan
  • January 6, 2012
The book’s strongest moments are often its quietest, as when the complexity of the speaker’s engagement with himself and the world is repulsed or rerouted by automatic prompts and alienation.
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  • Features & Reviews
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  • Rumpus Original

Fingers Through Sweat-Curled Hair

  • Virginia Konchan
  • September 30, 2011
Biddinger’s repeated returns to haptic perception as a legitimized approach to the divine, or a sense of peace or benediction, amounts to an aesthetic necessity, alongside the necessity of putting…
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  • Features & Reviews
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  • Rumpus Original

After the Umpteenth Bird

  • Virginia Konchan
  • July 2, 2011
The speaker of The Trees Around navigates the empty spaces on the page with as much deftness and resilience as he does the empty spaces in our universe (perceptual and…
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  • Features & Reviews
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  • Rumpus Original

It Ninja-Stars Me

  • Virginia Konchan
  • September 1, 2010
The voice that animates The French Exit is smart and philosophically dexterous, capable of showing the self to be a fetish-object of its own and also a refractive subject of…
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  • Features & Reviews
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  • Rumpus Original

The Range of Your Amazing Nothing

  • Virginia Konchan
  • August 25, 2010
Lina ramona Vitkauskas asks, and her collection stands as an intrepid answer, the question as to why haute couture, avant-garde and post avant-garde cinema, Derrida, and marine life should be…
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  • Features & Reviews
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  • Rumpus Original

American Fractal

  • Virginia Konchan
  • June 2, 2010
Timothy Green’s debut collection of poetry, American Fractal, picks up where scientific discourse leaves off.
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  • Features & Reviews
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  • Rumpus Original

A New Cult of Domesticity

  • Virginia Konchan
  • October 7, 2009
The speaker of The King doesn’t play into the randomly generated poems and discursive ironies of her generation; she lifts the curtain to the production, exposing the history of language’s…
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