Allyson McCabe talks with Brendan Toller about his love of vinyl records, buying music in local stores, and his latest documentary film Danny Says, an examination of publicist and manager Danny Fields.
Lest you commit a public bathing faux pas, please be aware of the following, from by Maisie Skidmore at AnOther: This September a new exhibition entitled Soak, Steam, Dream: Reinventing Bathing Culture opens…
The “Unfinished: Thoughts Left Visible” exhibition at the Met Breuer Gallery meant more than just incomplete art, writer Patricia Park shares at Catapult. Park was invited to speak at the exhibition’s…
At Hyperallergic, Gretta Louw reviews a new exhibit in Berlin, Contesting/Contexting SPORT. The transdisciplinary exhibit seeks to address the gross fallacy that professional sports can be removed from the politics…
In a column for SmokeLong’s “Why Flash Fiction?” series, author Anne Weisgerber compares writing flash fiction to painting: I realized I could craft flash miniatures that added up to something…
In the first of a two-part series at the Public Domain Review, Lily Ford uses 18th century illustrations and drawings from balloonists to capture the changes in science and society…
For Hyperallergic, Allison Meier covers design ideas for nuclear waste warning signs, with scientists and artists around the world attempting to design warning signs that would deter humans 10,000 (or…
How do you work with a material that you don’t have trust in? I had to step away from it and find another way of articulating and I had to do it without words.
This summer, an exhibit and accompanying book, Picasso: The Artist and His Muses, brings light to the women who inspired some of the artist’s greatest paintings: Women play an essential…
Rubens Ghenov’s solo exhibit at the Morgan Lehman Gallery, Accoutrements in Marwa, an Interlude in Silver, has an interesting source of inspiration: For the past four years, Ghenov’s paintings have…