Reading Whitman While White
It is only by holding Whitman accountable for all of his language that we can also love other parts of his language and poetics.
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Join NOW!It is only by holding Whitman accountable for all of his language that we can also love other parts of his language and poetics.
...moreSarah J. Sloat discusses her new collection of erasure poetry, HOTEL ALMIGHTY.
...moreBarbara Berman reviews four books in her 2020 Holiday Poetry Shout-Out
...moreMolly Spencer discusses her new collection, HINGE.
...moreSecrecy stitched us a fraudulent reality. Denial masqueraded as hope.
...moreAria Aber discusses her debut poetry collection, HARD DAMAGE.
...moreBiespiel offers a number of best practices—not just for writing poems, but for living a creative life.
...moreThe work maintains a wondering backward, as it were, tracing the varied details of lived experience.
...moreSurvival, for Landau, is both instinctual and ultimately pointless.
...more[T]his is a book in direct conversation with literary tradition.
...more“[P]art of writing is cementing some sort of memory.”
...moreSaudade is often translated as longing, and as with most translations, what gets left out matters.
...moreIlya Kaminsky discusses his new collection, DEAF REPUBLIC.
...moreWalt Whitman says that to be an American is to be a poet.
...moreHow is one to make sense of making catastrophe and making love in the same moment?
...moreI am not certain where I was when I first heard about the marketplace of ideas.
...moreTo write is not to dream.
...moreWhatever is undiscovered in “Song of Myself” is in the soil.
...more“Admitting a love or joy, or yes, wonder for the natural world is, especially as a woman of color, one of the most vulnerable things we can do.”
...moreTranslation always sacrifices something, and Pious, in her translations, has been consistent about the choice to cleave to some formal principles and lean away from others.
...moreIn hindsight, it’s sometimes difficult not to read more than a bit of sadomasochism into Hopkins’s inner passions and the ways in which he resisted them.
...more[A] nation’s poetry degenerates if it does not embody the language of what is mysterious…
...moreClarence Major discusses his new collection Chicago Heat and Other Stories, the artist’s role in politics, Donald Trump and race relations, and Paris in the good old days.
...morePoet and Pulitzer Prize winner Gregory Pardlo discusses the reverence for poetry found in other cultures, how he strings a book together, and the future of American poetry in light of our national crisis.
...moreWhat does it mean to be carried away? To be captured, carried off, liberated? To lose control of oneself? Lerner doesn’t show concern for questions like these. More generally, The Hatred of Poetry takes little interest in the rarities of technique across a poet’s body of work and avoids questions about his or her sense […]
...moreConnie Wanek discusses her latest book, Rival Gardens: New and Selected Poems, the challenge of looking back at older poems, and what prioritizing writing looks like.
...moreI have learned to put myself, my ego, to one side and truly experience someone else’s poetry.
...moreThe big crowd stretched form the gold-domed State House to Park Street. I had the urgent feeling that we were part of something. That we counted.
...moreSo much of politics is symbolic speech in the service of the syncopations of the lives we actually live. But the ways we gather to vote is with our bodies. It’s the dance that goes along with those rhythms.
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