Poetry as Incantation: Talking with Andrea Actis
Andrea Actis discusses her debut book, GREY ALL OVER.
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Join NOW!Andrea Actis discusses her debut book, GREY ALL OVER.
...moreThe collection enacts—even performs—its own coming into being.
...more[W]hat lies beneath the arcing paths of these stars, fueling and frustrating them?
...moreValeria Luiselli discusses her new novel, LOST CHILDREN ARCHIVE.
...moreJared Pappas-Kelley discusses his forthcoming book, SOLVENT FORM.
...moreIf there is no distinction between show and commercial, ethics and entertainment, what kind of distinctions, if any, exists between her imaginary play, her consumer life, and our reality?
...moreUmbrellas are flimsy shelters from the maelstrom, and Rader keeps going because he can’t stop.
...moreIsn’t the crowd itself a kind of anti-literature, an intensely physical impediment to the inwardness required of poetry and prose? At Lit Hub, Dustin Illingworth writes about literature that theorizes “the crowd,” from Don DeLillo to Ezra Pound and Walter Benjamin, with horror and fascination.
...more[T]he finding, cutting, and pasting process constantly offers me new perspectives on how I see the world around me.
...moreWhat is it Ferrante has that American fiction lacks?
...moreThe Rumpus Book Club chats with Steve Stern about his new novel The Pinch, about what it means for Jews to be “people of the book,” and how fiction and history can be entwined in entertaining and challenging ways.
...moreIn an empirically-preoccupied world, mentorship appears to be unscientific, impossible to quantify, and perhaps even sentimental.
...moreAlthough it never garnered the intellectual prestige reserved for his contemporary Walter Benjamin’s critical zingers, Stefan Zweig’s work has recently enjoyed a revival at the hands of two publishers. Zweig’s legacy is that of a conflicted yet devoted proponent of liberalism, who struggled to understand the function of the humanities in World War II-era Vienna […]
...moreRobert Walser’s legendary novella Der Spaziergang (The Walk), the first work of his to appear in English and the only one to be translated during his lifetime, is now available in the revised version he published three years after the original edition of 1917. Susan Bernofsky (who has translated numerous works of Walser’s including The […]
...more“The device itself looked for all the world like an Underwood typewriter, at once sleek and erect. In place of the roller carriage, however, rose a stately glass dome, like that on a ticker tape machine (when inverted, the dome stores cunningly in the cavity of the machine). Peering inside the glass dome, one glimpsed […]
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