An Important Book: Inheriting the War edited by Laren McClung
There is no escape from the cradle of this shame.
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Posts Tagged: war writing
Unglued from Time: Shahriar Mandanipour’s Moon Brow
An enjoyable and thought-provoking read, Moon Brow trades on its striking and unusual formal features to allude to the complexities and consequences of war.
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Rumpus Exclusive: “Iron Heart”
Speech seemed like an irreverence, as if the empty schools were tombs.
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The Quiet of a Ghost: Talking with Ingrid Rojas Contreras
Ingrid Rojas Contreras discusses her debut novel, FRUIT OF THE DRUNKEN TREE.
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Rumpus Exclusive: “Blue Tears”
On certain nights, if I’m lucky, wisps of the shore begin to glow blue, an unearthly electric color, like someone in the sea has a flashlight and is shining it upward.
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Nothing Foreign about It: Talking with Omar El Akkad
Omar El Akkad discusses his debut novel American War, suicide terrorism, fossil fuels, and blankets.
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Wisdom Is a Double-Edged Sword: Talking with Jay Baron Nicorvo
Jay Baron Nicorvo discusses his debut novel, The Standard Grand, how easy it is for civilians to forget about soldiers and veterans, and his longstanding love of animals.
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There Is No Answer: Draw Your Weapons by Sarah Sentilles
As Sentilles makes clear, she is against the wars the United States is currently involved in, and war in general, but she’s critical of what that means.
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On Speaking Plainly: A Conversation with Rajith Savanadasa
Rajith Savanadasa discusses his debut novel, Ruins, writing across oceans, and the chance encounter with refugees that led to the story at the heart of his novel.
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The Rumpus Mini-Interview Project #86: Max Allan Collins
In April, the Mystery Writers of America named Max Allan Collins a Grand Master, the organization’s peer-voted lifetime achievement award. Collins has had a prolific and often eclectic career. The Iowa Writers Workshop graduate has written more than one hundred books, has had a long career as a comics writer including, most famously, the Road to […]
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The Strangely Plausible Abyss of American War
In Akkad’s dystopian scenario, the US faces a resurgent Mexico and a vast and newly powerful North African-Arabian empire.
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The Mirror’s Shards
In the face of colossal and destructive political lies, we need a more nuanced understanding of the world than simply truth versus lie.
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War Narratives #8: Flashes of War by Katey Schultz
Schultz enables readers to see past their own perspectives and empathize with both the Afghan child and the American war widow.
...moreThis Week in Books: Civilianized: A Young Veteran’s Memoir
Welcome to This Week in Books, where we highlight books just released by small and independent presses. Books have always been a symbol for and means of spreading knowledge and wisdom, and they are an important part of our toolkit in fighting for social justice. If we’re going to move our national narrative away from […]
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David Biespiel’s Poetry Wire: 21 Poems That Shaped America (Pt. 7): “Facing It”
There should be no forgetting, much less forgiveness, of what happened during the Vietnam War.
...moreSoldiers-Turned-Authors on War Literature
For NPR Books, Quil Lawrence talks with a handful of soldiers-turned-authors about the genre of war literature that has been catalyzed by the wars in Iraq and Afghanistan. These authors want their audiences to know that war is not all Hollywood-scale battle scenes, and warn against the glamorization of war stories and hero-worshipping of veterans.
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The Rumpus Interview with Whitney Terrell
Whitney Terrell discusses war, gender, and fiction vs. reality in his new novel, The Good Lieutenant, about a female soldier in Iraq.
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War Narratives #6: The Rumpus Interview with Phil Klay
When you’re writing fiction, you can follow your own ignorance. You can write something and realize how flawed you are.
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A Letter to My Father That He Will Never Read
What would I even say if I was to answer that long-awaited phone call? Would the light of forgiveness carry me fearlessly into tomorrow?
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War Narratives #4: Meet the Civilians
Each character achieves independence in his own way, but independence winds up looking a lot like loneliness.
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War Narratives #3: The Rumpus Interview with Matt Gallagher
Matt Gallagher on blogging during his time in the Army, his memoir Kaboom and forthcoming novel Youngblood, and what makes for good literary fiction about wartime.
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The Rumpus Interview with Colin D. Halloran
Writer and former US Army infantryman Colin D. Halloran on his new collection, Icarian Flux, how he used experimental narrative to explore his life with PTSD, and why he doesn’t want to be known only as a “war poet.”
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War Narratives #2: Trauma Writing
[I]f we don’t explore wartime trauma in literature, we will never understand war’s impact in personal or social terms; never understand the incredible variety of responses to trauma, with all its nuances and exceptions.
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War Narratives #1: Truth and Fiction
The notion that the truth about combat cannot be described in a book goes back to the American Civil War, at least.
...moreOh, Say Can You See
Luke Mogelson delivers some short fiction at the New Yorker, about a National Guardsman down on his luck.
...moreWriting War From Afar
It was a really big deal for me that a Sri Lankan publisher picked it up. I didn’t grow up there, and I didn’t go through [the war], so there’s always been a question of legitimacy. When I was at the Voices of Our Nation Arts Foundation (VONA) workshop in 2011, I had these tremendous […]
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The Rumpus Poetry Book Club Chat with Tom Sleigh
The Rumpus Poetry Book Club chats with Tom Sleigh about his new book, Station Zed,, how reportage and the surreal can combine inside a poem, and secularizing the mysteries of death, redemption, and resurrection.
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The Rumpus Interview with Brian Turner
Brian Turner discusses his new memoir, My Life as a Foreign Country, the Iraq War, poetry and prose, and his family’s long history of serving in the military.
...moreFinal Tour
Phil Klay’s just won the National Book Award, and he talks with Rumpus Interviews Editor Emeritus Rebecca Rubenstein about the repercussions. They also hit on the burden of multiple voices, “entry points”, and what qualifies you to tell a true war story: Authenticity is a tricky thing. I think perhaps we’re too willing to assume authenticity just […]
...moreThis Week in Short Fiction
On Wednesday evening, Phil Klay’s Redeployment won the National Book Award for fiction, making it the first short story collection to win the award since Andrea Barrett’s Ship Fever in 1996. That’s 18 years. But what’s maybe more startling is that the collection, which takes multiple perspectives of people involved in and returning from the […]
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