war
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Fresh Comics #8: John Black’s Body
In the imagined scenario wherein my apartment burns to the ground and I lose all my worldly possessions, there are just a few things I would miss—family photographs (of course), an old wooden trunk my grandmother reupholstered and that I used…
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The Rumpus Interview with Atossa Araxia Abrahamian
Atossa Araxia Abrahamian on her new book The Cosmopolites, the citizenship market, nearly getting deported in the Comoros, and learning to show up and wait.
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On Refugees, and Refusing to Be Scared
The news that governors are suddenly deciding that they don’t want to welcome Syrian refugees has really driven home to me just how cowardly much of this country is. We talk tough, mind you, but when we’re asked to really…
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War Narratives #4: Meet the Civilians
Each character achieves independence in his own way, but independence winds up looking a lot like loneliness.
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A Figurative Recovery from War
In his review for Hyperallergic of a new MOMA exhibit, Thomas Micchelli writes about the work of artists during and immediately after their experiences in World War II. In the exhibit, Soldier, Spectre, Shaman: The Figure and the Second World…
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Photography and the European Refugee Crisis
At JSTOR Daily, Jon Greenaway revisits Susan Sontag’s writing on photography (specifically in On Photography and Regarding the Pain of Others) through the lens of Europe’s current refugee crisis.
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The Rumpus Interview with Colin D. Halloran
Writer and former US Army infantryman Colin D. Halloran on his new collection, Icarian Flux, how he used experimental narrative to explore his life with PTSD, and why he doesn’t want to be known only as a “war poet.”
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The Saturday Rumpus Essay: Song in the Subjunctive
Perhaps the city looked more poignantly lovely because I was conscious of its tragic history.
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The Rumpus Interview with Lidia Yuknavitch
Lidia Yuknavitch discusses her latest book, The Small Backs of Children, war, art, the chaos of experience, and that photograph of the vulture stalking the dying child in the Sudan that won the Pulitzer Prize.
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Something Small and Heavy
This is not a biography, photograph, or method of cloning, not footage, not a transcription—in short: this is not faithful.
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The Rumpus Interview with Viet Thanh Nguyen
Author Viet Thanh Nguyen discusses his debut novel, The Sympathizer, new ways of looking at the Vietnam War, and how to blend important ideas with entertainment.
