Rachel Hall discusses her debut collection Heirlooms, her mother’s experience growing up in a French Jewish family during World War II, and crossing genre borders in her writing.
Though he fled the country as soon as possible, the writer would maintain an affection for Canada that lasted throughout his life. Over at The Walrus, Michael Hingston explores Roald…
Married authors Anne Raeff and Lori Ostlund, both winners of the Flannery O’Connor Award for Short Fiction, discuss their craft, their process, and the way they negotiate the give and take involved in sharing a vocation.
Jessica Miller writes for Catapult on hair during World War II, using the practical reality of people’s hair to glimpse into war’s ordinary life and extraordinary horrors.
What’s interesting, of course, is how modern life could easily be seen in the opposite way—as an ever-expanding domain of individuality and self-expression.
It was as if he understood that the authentic must begin in the voice. And through the texture of the voice—its moral and psychological claims—sensory details emerge with absolute authority.
Kim Brooks discusses her debut novel, The Houseguest, her approach to character and historical narrative, and the value of engaging readers with larger social issues through literature.