Rick Moody talks about the newly collected writings of the elusive Reginald Edward Morse, Hotels of North America, and why fiction in general ought to lie more.
Rejection is often cited as an essential part of writing. Rejection is even celebrated, as if great works must be first overlooked and then pulled from obscurity. Consider Marlon James, 2015…
Valeria Luiselli talks about her new novel, The Story of My Teeth, working with a translator to publish her books in English, and how writing in weekly installments changed her process.
Author and agent Bill Clegg talks about his new novel, Did You Ever Have A Family, grief in fiction and in life, and why there is no finish line except the final finish line.
Zarina Zabrisky talks about her new book, Explosion, the art of the short story, Russia and Ukraine, and being "a Jewish pessimist in the spirit of Shalom Aleichem."
Over at the New Yorker, George Saunders maps out his writing education, from Tobias Wolff’s call to his parents’ house to tell him about his acceptance to the Syracuse Creative…
I never bring my computer with me to the basement, and the discipline of the method is to force myself to work out the ideas, the arrangement of the argument…
Marjorie Sandor writes for the Masters Review on the art of writing the uncanny. Sandor explores the 19th century origins of the word, whose use in literature seemed to address…
Lincoln Michel talks about his debut short story collection, Upright Beasts, his interest in monsters, and what sources of culture outside of literature inspire him.
Garth Risk Hallberg talks about his debut, City on Fire, living in New York City now and in the ’70s, and the anxiety and gratitude you feel when your first novel generates so much buzz.