Austin Bunn talks about his new story collection, The Brink, his latest script for a short film, In the Hollow, working in multiple mediums, and why some novels read like early drafts of screenplays.
Novelist Christy Crutchfield talks about her debut, How to Catch a Coyote, world building, inspiration, icky fiction, the role of mystery, and the marathon of novel writing
“The publisher functions more like an executive producer on a movie,” says the nonfiction author Susan Orlean. A New Yorker writer steeped in its culture of obsessive fact-checking, Orlean has…
In an interview with Tobias Carroll for Hazlitt magazine, Mat Johnson talks about writing, humor, and fantasy: But writing in general sometimes is like a dream. You might recognize things from your…
Author Jeremy Hawkins discusses his debut novel, The Last Days of Video, the resurgence of the independent bookstore industry, and allowing nostalgia to have presence but not precedence in one’s life.
Mark Danielewski talks about the "maddening energy of violence" and why he’s writing a 27–volume novel, starting with his first 850-page installment in the series, The Familiar, Volume 1: One Rainy Day in May.
Editor and author George Hodgman talks about his new memoir, Bettyville, what makes for a good memoir, and returning to his hometown of Paris, Missouri from New York to take care of his aging mother.
Author Antonio Ruiz-Camacho speaks about his new collection, Barefoot Dogs, breakthrough stories, the writing process, and why translating his book for readers in Mexico feels like a homecoming.