Set in post-Katrina New Orleans, Chris Tusa’s second novel, In the City of Falling Stars (Livingston Press, September 2016), tells a tale of paranoia and intrigue. Maurice Delahoussaye witnesses dead birds…
Birth, death. We live in the middle. “What’s it like?” Lee asks. “Is it a door, and goodbye on either side?” Just like the stars, one day we all collapse, our mass and light and energy exploding into nothingness.
Abeer Hoque talks about coming of age in the predominantly white suburbs of Pittsburgh, rewriting her memoir manuscript ten times, and looking for poetry in prose.
In Kris D’Agostino’s second novel, The Antiques, he returns to familiar forms: A dysfunctional family whose members are in various stages of arrested development; a generational home in upstate New…
First, we must recognize our removal from the machinations of the shadows. The screen stands between us and the internal world depicted on it. There is no communion.
Clarence Major discusses his new collection Chicago Heat and Other Stories, the artist's role in politics, Donald Trump and race relations, and Paris in the good old days.
Robert Glancy discusses his sophomore novel, Please Do Not Disturb, growing up under a dictatorship, borrowing and stealing from reality, and his love of proverbs.