Posts Tagged: Cormac McCarthy
There’s this deeply cool new magazine about literature and rock music called Radio Silence, which we reviewed back in June, and they recently posted an essay titled “The Bottom” that will just about cave your head in.
In it, Jim White writes about how a Cormac McCarthy novel saved him from a surreally devastating heartbreak—and plunked him into an equally surreal situation in Knoxville, Tennessee....more
This morning, a Cormac McCarthy impersonator showed up on Twitter, duping some twitterers until Vintage and Anchor confirmed that it was not the real McCarthy. In fact, the writer does not own a computer. You can check out the collection of “fake” tweets....more
In the spirit of taking on literary identities under the guise of an internet profile (like Laura Ingalls Wilder’s famed twitter), there’s another way to take on the writerly stylings of beloved authors. “Yelping With Cormac” is the blog for “Cormac M” who reviews his favorite Bay Area eateries in his best McCarthy-est voice....more
I just found out that James Franco is set to direct the film adaptation of Cormac McCarthy’s Blood Meridian which is the most violent novel I’ve ever read.
So I pose the obvious questions: how will he pull it off? Who will play The Judge?...more
Apparently, the normally stone-faced recluse J.M. Coetzee was caught smiling — if only for a second.
I would like to see Coetzee share the podium with Cormac McCarthy one of these days. Although I’m no authority on McCarthy, it strikes me he might be as equally solemn as Coetzee. I do know that they are the only two authors who can make me cry when I read their books....more
Before I say anything about book blog land today, I want to thank Brian Spears, our Poetry and Saturday Editor here at The Rumpus, for putting together some of the best information on Haiti I’ve been able to find anywhere....more
At The Millions, a handful of writers are throwing down their two cents for the best books of the Millenium so far.
Among the more moving reviews is Bret Anthony Johnson’s elegiac take on McCarthy’s The Road.
I think, in fact, he distills through his appreciation of the novel the most fundamental power of storytelling:
“This is perhaps the most shocking aspect of The Road: what remains, what you remember years after you’ve read the book, is the beauty, the compassion, the relentlessness of possibility that burns on the colorless horizon....more