Posts Tagged: Hemingway
As part of the Hemingway Days festival on Key West each year, the Hemingway Look-Alike Society hosts the Hemingway Look-Alike contest. This year, and for the first time ever, someone with the last name Hemingway took home the honor and the giant medal that goes with it:
Dave Hemingway of Macon, North Carolina and who is of no relation to the author, finally lifted the triumphant bust of “Papa” Hemingway after seven previous appearances in the contest.
While most know Hemingway to be a favorite of stereotypical “macho” literature buffs, what with the author’s tendencies for vicious criticism and outright brawling, not many know just how vulnerable he was starting out as a complete nobody in the world of letters....more
Papa: Hemingway in Cuba is a recently released film from director Bob Yari following the maybe-true misadventures of the late Hemingway and his years in Cuba, where he lived, drank, and complained after winning the Nobel Prize for fiction. A young author travels to Havana to learn from his literary idol and a tortured bro-mance blossoms with the Cuban revolution stirring in the background....more
The art of storytelling is largely about choosing what is to be conveyed and—most importantly—what is to be left out.
For FSG’s “Works in Progress,” Guillermo Erades, author of the just-released Back to Moscow, writes about the persistently bedeviling give-and-take of fiction of nonfiction....more
Ernest Hemingway lived outside of Havana, Cuba for almost twenty years, and his former house there is a national museum. However, time (and the Caribbean humidity) have damaged many of the writer’s books and papers. Now, a Boston-based foundation is helping to conserve Papa’s property, with help from none other than former TV host Bob Vila....more
At The Millions, Jonathan Russell Clark analyzes several last sentences from well-known novels by Hemingway, Tolstoy, Morrison, and Roth. He pays particular attention to the craftsmanship necessary to write these sentences, and considers how last sentences work to reinforce larger themes within a novel:
For writers, the last sentences aren’t about reader responsibility at all — it’s a once-in-a-lifetime chance to stop worrying about what comes next, because nothing does.
For The New Republic, Ryan Kearney responds to those claiming that American tourism and investment will ruin Cuba’s romanticism:
If you visit Cuba to puff cigars, get drunk on rum-and-cokes or mojitos, read Hemingway, and fetishize the country’s dilapidation with your brand-new Canon Rebel, you just might miss [its] uglier side.