The final key moment was when, suddenly, I was able to write the novel without feeling as though I needed the crutch of all the research and all of the books, and I felt that the characters were strong enough and their motivations had become more or less solid for me and satisfying for me to just go deeper with them, knowing that this was part of who they were and part of their world.
Posts Tagged: jhumpa lahiri
If certain books are to be termed immigrant fiction, what do we call the rest? Native fiction? Puritan fiction? This distinction doesn’t agree with me. Given the history of the United States, all American fiction could be classified as immigrant fiction.
“It is by fussing with sentences that a character becomes clear to me, that a plot unfolds. To work on them so compulsively, perhaps prematurely, is to see the trees before the forest. And yet I am incapable of conceiving the forest any other way.”
At The New York Times, Jhumpa Lahiri reflects on the centrality of the sentence in her reading and writing processes....more
A new volume of stories by Mavis Gallant traces the writer’s development from early stories of bewilderment and disappointment to the sharp, incisive later work of a master....more
MONDAY, October 5, 2009 – SUNDAY October 11, 2009
This week in New York, Stephen Elliott reads from his memoir The Adderall Diaries, which has its East Coast Launch with n+1, Spike Jonze week in New York, Sufjan Stevens performs, Arthur Jones hosts The Post-It Note Reading Series, Opium Magazine hosts Live Relaunch, Todd Solondz’s Life During Wartime screens at the NYFF....more