Posts Tagged: Lidia Yuknavitch
Join Portland Community College Cascade’s literary journal, Pointed Circle, in celebrating the launch of their latest issue, featuring readings from editors and contributors....more
For Lidia Yuknavitch, the personal is unavoidably political in this piece for Electric Literature.
At Catapult, David Frey writes with moving realness on what it is like to watch a parent age and transition into assisted living.
Jenessa Abrams looks at the nuances of mental illness and the damage of a word like “crazy” here at The Rumpus....more
Saturday 11/26: Celebrate Indies First Day with Cheryl Strayed, author of Torch and Wild. Other authors joining the celebration include Estela Bernal, Randy Blazak, Peter Ames Carlin, Curtis Chen, Rene Denfeld, Monica Drake, Jamie Duclos-Yourdon, Laura Foster, Casey Jarman, Karen Karbo, Joe Kurmaskie, Pamela Lindholm-Levy, Whitney Otto, Arn Strasser, Pauls Toutonghi, Suzy Vitello, Ruth Wariner, Alan Wieder, Carolyn Wood, and Lidia Yuknavitch....more
For Lenny Letter, Suleika Jaouad talks with Lidia Yuknavitch about suffering, writing, and living artfully. Yuknavitch says:
I’m trying to help us remember that we invent our own beauty and our own paths and our own crooked, weird ways of doing things, but that they’re not nothing and they matter, too.
Yuknavitch’s sex scenes are remarkable among current American novelists, not just for their explicitness but for the way she uses them to pursue questions of agency, selfhood, and the ethical implications of making art.
Walking straight into violence was nothing new to me. I’d learned how to walk deliberately and unflinchingly into violence from my father, like so many other children do in this country.
In fact, in this country we raise all of our children on one form of violence or another.
For Lit Hub, Michele Filgate interviews Lidia Yuknavitch on her new novel, The Small Backs of Children, to explore the idea of new symbols and mythology for contemporary culture:
I’m not clear why we have to limit ourselves to old myths without creating new ones… I have no allegiance to locating myth in the past, like it’s locked in petroglyphs or something.
They discuss how they make and sustain amazing and inspiring literary friendships amid the chaos of writing, day-to-day life, and everything else in between....more