Posts Tagged: Lorrie Moore
What does “modern single woman” even mean anymore?
Over at the New York Review of Books, Lorrie Moore investigates the idiosyncratic legacy of Helen Gurley Brown, the once and future editor-in-chief of Cosmopolitan....more
Lorrie Moore writes an extensive ode to her weird home state of Wisconsin, and its newest national sensation, the Netflix documentary series Making a Murderer. The well-acclaimed Wisconsin author’s viewpoint on the series and its setting is interesting, to say the least, and well-deserving of its patented Lorrie Moore Exclamation Points....more
Over at Lit Hub, Robert Hahn finds homage to the voice of Nick Carraway in the fiction of Donna Tartt, Lorrie Moore, and Richard Ford, and discusses the lasting allure and the divisiveness of The Great Gatsby:
There is a solution to the mystery of Gatsby’s lasting fame, as believers know, and to my mind that solution is voice.
For The Millions, Lauren Alwan provides “a brief history” and analysis of colloquial titles, including works from authors like Ernest Hemingway, Flannery O’Connor, Lorrie Moore, and Raymond Carver. In addition, Alwan offers her insights as to what makes colloquial titles so appealing:
There is a certain power in hearing phrases we know and may have used ourselves.
So my introduction to July was one at which I watched her redefine boundaries and hijack something destined to be inert and turn it into something uncomfortably alive, whether you wanted her to or not. This has been my experience of her work ever since.
Dinty W. Moore’s rebuttal to Lorrie Moore’s essay in the New York Review of Books, in support of memoir-writing defends the genre and points out the absurdities in Moore’s adamant dismissal.
Memoirs and their questionable reliability have been the source of some recent contention, but Dinty Moore makes a case for the memoir as an authentic art form....more
Emma Straub’s debut collection of stories, Other People We Married, is full of quirky, thoughtful, resonating characters and has earned her comparisons with Lorrie Moore....more
Laura van den Berg’s debut collection of short stories, What the World Will Look Like When All the Water Leaves Us, creates a nuanced portrayal of female isolation and independence, featuring women who grapple with their careers, their lovers, and the occasional mythical creature in worlds as far as Madagascar and the Congo....more
How to become a writer:
-You can’t carve solitude out of loneliness–you need people to get away from them.
It’s Sunday, and the Rumpus has lots of great stuff for you this week, including a Supersized Original Combo with Rebecca Wolff....more