Posts Tagged: the believer
For The Believer Logger, Prashanth Ramakrishna, Theodore Gioia, and Claire Boyle ask the question: if novels were music, in which key would they be written? The post characterizes a couple of musical keys and gives examples of corresponding works of fiction....more
At The Believer, Shannon Tien caught up with Chester Brown, graphic novelist and author of the newly released Mary Wept Over the Feet of Jesus, which Tien describes as “essentially a layman’s interpretation of the Bible.” Mary Wept is a collection of graphic adaptations of Biblical scenes involving prostitution, including Brown’s interpretation of Mary as a prostitute, with the goal of shedding light on the truths of sex work and advocating for the rights of sex workers, while presenting his personal vision of the Bible....more
Mountains loomed in the horizon line. Standard, cliché clouds. After a stretch, green pops of brush. At first, the sediment in the mountains growing up in size was indistinct, all mottled beige, but the layers became more obvious as I got closer, red and brown.
[Memoir] comes alive at the fissures of its coherency: when a narrator is struggling to hold the self together in a text—for the reader’s sake if not also her own.
Scott F. Parker met up with Maggie Nelson at AWP to talk about her writing, her sudden popularity, memoir (or life writing), autotheory, and Buddhism for The Believer’s interview series, Stories of Self—complete with illustrations by Nelson’s partner, Harry Dodge....more
Art shouldn’t be mere normalizing sublimation or queer desublimation, which amounts to the same thing. Should actually make your problems worse. Only then can the fantasy of endless role-playing and analysis be traversed. Art is, in this way, less delusional than psychoanalysis.
The Believer interviews Joshua Cohen, author of Book of Numbers. Cohen is currently working on his newest novel, PCKWCK. He talks to The Believer about preparing for writing and the influence of the Internet on the literary world:
First of all, there’s the rate of production that the Internet demands: this gaping maw that just wants content.
I think she’s half pursuing these conventions of romantic love, and half rejecting them. Which produces this kind of contrariness. There’s this line in the first chapter where she says, “I only want what I hate.” These contradictions of desire and behavior run all the way through the story.
The 18-year-old independent publisher McSweeney’s is looking to raise some money for a new wave of projects. The publisher of Timothy McSweeney’s Quarterly Concern, The Believer, The Organist podcast, and more has launched a Kickstarter campaign, with plenty of rewards (including book recommendations from or conversation with Rumpus founder Stephen Elliott)....more
Last week we highlighted Rachel Kaadzhi Ghansah’s piece, “A River Runs Through It,” over at The Believer. Now, she shares a playlist of tunes, recorded at Electric Lady Studios, to accompany the original article:
“They all have one thing in common, and I say this often, across forms, decades, they all evidence the certain qualities of innovative genius, bittersweetness, and the sense of a lasting legacy that all great music tends to contain.”
We will always fail each other. That goes without saying. The question is, what happens next? If failing is then countered with the question, “What’s wrong with you?”, then that’s a problem.
In today’s New York Times Book Review, there’s a great essay by Cheryl Strayed responding to the prompt “Is This a Golden Age for Woman Essayists?” She rightly tears the question to shreds. And yet, I’ll admit it. I tend to gravitate towards writers who are women, both in terms of what I read and who I befriend....more
When it comes to comedy, Ted Alexandro champions thoughtfulness:
Comedians are thinkers. The best ones are akin to philosophers, in my opinion. Not that that’s the goal, but sometimes these funny insights can also be deeply profound. I think the more you hone your voice, take risks and talk about things that matter, the better chance you have of getting into the realm of the philosophers of stand up.
The Believer has just published what is likely writer Peter Matthiessen’s last interview, conducted only a month before his death. Included: Jaws, the sticker that Kurt Vonnegut left on Matthiessen’s car, and why Matthiessen didn’t like to write about New York:
I also very rarely write about cities or urban people—especially urban people of our own region.
Mike Mills—the director of Beginners, Thumbsucker, and any number of fluorescent music videos—speaks to The Believer about his upcoming film. On their monthly podcast, The Organist, Mills discusses A Month Forever Voyaging through Strange Seas of Thought, what it felt like to direct youths so entirely enmeshed with technology, and the politics of being an Apple engineer’s daughter....more