Posts Tagged: the believer
I think she’s half pursuing these conventions of romantic love, and half rejecting them. Which produces this kind of contrariness. There’s this line in the first chapter where she says, “I only want what I hate.” These contradictions of desire and behavior run all the way through the story.
The 18-year-old independent publisher McSweeney’s is looking to raise some money for a new wave of projects. The publisher of Timothy McSweeney’s Quarterly Concern, The Believer, The Organist podcast, and more has launched a Kickstarter campaign, with plenty of rewards (including book recommendations from or conversation with Rumpus founder Stephen Elliott)....more
Last week we highlighted Rachel Kaadzhi Ghansah’s piece, “A River Runs Through It,” over at The Believer. Now, she shares a playlist of tunes, recorded at Electric Lady Studios, to accompany the original article:
“They all have one thing in common, and I say this often, across forms, decades, they all evidence the certain qualities of innovative genius, bittersweetness, and the sense of a lasting legacy that all great music tends to contain.”
We will always fail each other. That goes without saying. The question is, what happens next? If failing is then countered with the question, “What’s wrong with you?”, then that’s a problem.
In today’s New York Times Book Review, there’s a great essay by Cheryl Strayed responding to the prompt “Is This a Golden Age for Woman Essayists?” She rightly tears the question to shreds. And yet, I’ll admit it. I tend to gravitate towards writers who are women, both in terms of what I read and who I befriend....more
When it comes to comedy, Ted Alexandro champions thoughtfulness:
Comedians are thinkers. The best ones are akin to philosophers, in my opinion. Not that that’s the goal, but sometimes these funny insights can also be deeply profound. I think the more you hone your voice, take risks and talk about things that matter, the better chance you have of getting into the realm of the philosophers of stand up.
The Believer has just published what is likely writer Peter Matthiessen’s last interview, conducted only a month before his death. Included: Jaws, the sticker that Kurt Vonnegut left on Matthiessen’s car, and why Matthiessen didn’t like to write about New York:
I also very rarely write about cities or urban people—especially urban people of our own region.
Mike Mills—the director of Beginners, Thumbsucker, and any number of fluorescent music videos—speaks to The Believer about his upcoming film. On their monthly podcast, The Organist, Mills discusses A Month Forever Voyaging through Strange Seas of Thought, what it felt like to direct youths so entirely enmeshed with technology, and the politics of being an Apple engineer’s daughter....more
If you live in the Bay Area, you owe it to yourself to make it out to this release party for Ashley Farmer’s book Beside Myself, out from our essays editor Roxane Gay‘s own Tiny Hardcore Press.
THP—and its associated litmag, PANK—are celebrating the new title at the Make-Out Room in San Francisco, where they’ll be joined by our friends at the Believer....more
Before this government, usually you would find people in the buses with their books and with their newspapers, now you can’t see that. When I read in the bus now, I become like an alien. People start looking at you…‘He’s reading.
This month in The Believer, Sarah Marshall takes a look back at figure skating in the 90’s. Particularly the stifled rivalry between US ice princesses Tonya Harding and Nancy Kerrigan. Marshall’s perspective is not unique but it’s beautifully thorough. She examines the figure skating business like a true heart-broken fan – yearning for Kerrigan’s lost reparations yet also grieving a sport that has thrown away its potential to empower its skaters both socially and politically....more
For the Believer, Lane Koivu interviews our fearless leader Stephen Elliott about, among other things, “the thrill of finding himself in the director’s chair, the time he nearly got locked up by a psychiatrist in San Francisco, and why he’s always in a race against his own enthusiasm.”
Here’s a little morsel of their wide-ranging and compelling conversation:
It’s not like I let everybody on set rewrite the script.
“To turn his back on Hollywood, to walk away from the spotlight because it was turning him into a man he didn’t want to be—a man without dignity—was a move that was, in a way, Chappelle’s birthright, his own unwieldy kind of Negritude.”
Featured in this month’s Believer is Rachel Kaadzi Ghansah’s essay on the 10-year anniversary of Dave Chappelle’s departure from his self-titled show....more
Long-running, writer-driven shows have overtaken American cinema as the most prestigious strand of American visual culture, revealing most of even the supposedly best American movies as risk-averse, unimaginative, and hopelessly bound by their time constraints.
Todd Hasak-Lowy argues on the Believer‘s blog that despite TV’s bad rep among literary types, there is Good TV that reaches the level of Literature (caps his)....more
Maurice Sendak, author of dearly loved children’s books like Where the Wild Things Are and In the Night Kitchen, would have turned 85 today....more
If you’re not already listening to the Believer’s new podcast, the Organist, don’t worry—there’s still time to catch up!
The third episode, posted earlier this month, swings from hillbilly records to classic horror movies, hitting everything in between.
It’s worth a listen for the weird-ass Jack White/Conan O’Brien interview alone....more
In honor of National Poetry Month, please check out poet Ali Liebegott’s wonderfully conducted interview with the eminent Dorianne Laux, where Laux sheds light on Emily Dickinson and Edna St. Vincent Millay for helping her hone her poetic craft.
If I hadn’t been able to talk with myself, with respect, as a whole human being, who had a mind and heart and desires, a goodness, a desire to be good—you know, all of those things, I think, are the original impulse when we sit down and write.
Ever since Michel de Montaigne, the founder of the modern essay, gave as a motto his befuddled “What do I know?” and put forth a vision of humanity as mentally wavering and inconstant, the essay has become a meadow inviting contradiction, paradox, irresolution, and self-doubt.