Let’s consider that we are seeing a natural movement towards a society in which language is more oral—or in the case of texting, oral-style—where written prose occupies a much smaller space than it used to.
As such—might we stop pretending that ordinary people need to be able to write on a level higher than functional?
Posts Tagged: the daily beast
William Faulkner had recently begun a draft of “Dark House,” the novel that would ultimately become Absalom, Absalom!, when he arrived in New Orleans on February 15, 1934.
For The Daily Beast, Bill Morris has some theories about why Jim Harrison is an underrated writer....more
Neil Gaiman talks with The Daily Beast about his new story collection, Trigger Warning, why he chose the controversial title, and why he’s become obsessed with the conversation around trigger warnings:
It seemed to me that so much of it was about content, about where do we stand on fiction and stories that upset you deeply, and go further, that send you into a breath-clutching, heart beating faster, messed-up person plunged into your bath because of something you’ve read in a story.
Three Percent, a resource for international literature at the University of Rochester, derives its name from the fact that about 3 percent of all the books published in the U.S. every year are translations. But the bulk of these are technical writings or reprints of literary classics; only 0.7 percent are first-time translations of fiction and poetry.
On Tuesday, Guernica published “Walking on Water,” an excerpt from Payem Faeli’s 2010 novella, I Will Grow, I Will Bear Fruit… Figs. In this excerpt, translated into English by Sarah Khalili, Faeli provides a meditative taste of the novella’s wandering narrator, a young boy in search of a name....more
On August 18, hip-hop and comic book nerds alike convened to celebrate the release of Volume 2 of Ed Piskor’s The Hip-Hop Family Tree, a history of the genre in graphic novel-form. In the Daily Beast, Daniel Genis explains how the competing personae and one-upsmanship among rappers translate so easily to a medium that often depicts superhero fights....more
…nothing calls for the paper shredder like a story that the writer clearly hasn’t sat on. A story that hasn’t been rewritten, or rewritten enough. So many writers that I encounter send their work in so soon. It shows, it really does.
Andrew Sullivan is lighting out on his own, hoping his blog The Dish will make enough money to stay afloat without the assistance of the Daily Beast or any other publication.
His plan has a number of details that set it apart from other attempts to monetize online media: no ads (for now), no paywall (sort of), and an option for dedicated fans to pay over and above the annual subscription price, to name a few....more
“Forty-something Betsy Birdsall jokes that she likes the Rumpus group because it enables her to hang out in her bathrobe and slippers while pretending she has friends. She says Elliot encouraged her to get active with the club’s discussion group. ‘This is the first online community I’ve been a part of,’ Birdsall, a paralegal from Agoura, California, said....more
After two years of global roaming, Andrew Hyde funded his self-published travel book This Book Is About Travel through the website Kickstarter.
His funders indicated their overwhelming preference that his book be available on a Kindle, a sentiment understood and welcomed by the author himself, who is a self-identified Kindle reader....more
“If a comic can serve as the mediating mask of tragedy, that might help explain why graphic novels are proving so successful in depicting not only torture and war but illness, domestic conflict, even teenage trauma—anything hard to face in the raw....more
The authors of Inside This Place, Not of It: Narratives From Women’s Prisons compare stories gathered for the book with last month’s report by Rashida Manjoo, the United Nations Special Rapporteur on Violence Against Women. The bottom line: women in prisons face rape and abuse by guards, error-ridden medical care, and, in many states, shackling during labor....more
“…Jay McInerney’s 1984 publication of Bright Lights allows us excavation to an even earlier level of American self-confusion. The novel’s second-person narrative, which people found so powerfully affecting, cannot be dismissed as but a clever trick when seen in a broader context—as a visceral reaction to the early stage of a society where Don DeLillo’s J....more