Posts Tagged: the new yorker
For the New Yorker, Joshua Rothman explores why certain writers reach “long-term literary endurance” and others fall into obscurity. What he discovers is that long-term fame often has to do with “regular reinterpretation,” which requires writers to be multi-dimensional and adaptable to various social contexts....more
Over at the New Yorker, Salman Rushdie looks back on an evening with Gunter Grass; they drank Schnapps, punked journalists, and had the best birthday party ever....more
In the past few weeks, two bloggers have been murdered in Bangladesh for writing critically about Islam. Reflecting on the deaths of Washiqur Rahman and Avijit Roy, George Packer argues in favor of intellectual freedom:
The problem with free speech is that it’s hard, and self-censorship is the path of least resistance.
In the New Yorker, Carmen Maria Machado writes about the poor adjunct situation throughout American universities....more
Reviewing W. Joseph Campbell’s 1995: The Year the Future Began, Louis Menand explores, among other things, the different conceptions and strategies for recording history....more
Over at the New Yorker, a journalist returns to what was almost the last town he ever reported on....more
The greatest problem for Sappho studies is that there’s so little Sappho to study. It would be hard to think of another poet whose status is so disproportionate to the size of her surviving body of work.
Over at the New Yorker, Daniel Mendelssohn tries to shed light on one of the most famous yet obscure poets of all time, Sappho....more
In some piece or other, early on, I said of a person I was writing about that he had a “sincere” mustache. This brought Bingham, manuscript in hand, out of his office and down the hall to mine, as I had hoped it would.
…what makes “The Doomsman” fascinating is its vision of an abandoned New York City as “a wilderness of brick and mortar”—a land where the Financial District is ruled by owls, and where the Flatiron Building is prized primarily by archers for its fine sight lines.
…Nelson Mandela said to him, “You know, when I was in prison, it was you who changed the way I saw the world.” Brink believed that Mandela was “not addressing me in the singular, as an individual, but in the plural, as one of the writers who had shed light on [Mandela’s] course.” Literature “had become one of the torches that guided” the future president.
Mary Norris has a gift for your favorite grammarian in this week’s New Yorker: a detailed account of comma policy from a veteran copyeditor. The magazine is notorious for its meticulous house style (where else do you still see a diaeresis over the word coördinate?), which it owes to Mensa-level punctuator Eleanor Gould and her acolytes....more
At the New Yorker, Rollo Romig examines the unique position of scripture as literary genre through the lens of history, and with the help of Avi Steinberg’s recent nonfiction title The Lost Book of Mormon. Romig moves through a line of (relatively) recent cases when new scriptures have been introduced, mostly in the US, and attempts to figure them into the larger picture of contemporary belief....more
For the New Yorker, Akhil Sharma discusses why Anton Chekov’s Sakhalin Island stands as the best piece of journalism produced in the nineteenth-century....more
The Torres family learned how Christopher died from watching the news the next day. At a press conference, the department’s chief public-safety officer said that two officers had tried to arrest Christopher at home, but, when he resisted and grabbed a gun from one of them, the officers felt that their lives were in danger.
Robert Stone’s fictional universe was vast. The minds of Vietnam vets. Sailors on the open sea. Hidden romances at a prestigious university. But last weekend, one of our better explorers of the darker corners of American life was lost when Stone died at the age of 77 from chronic obstructive pulmonary disease....more
Kidd designs books by James Ellroy, Cormac McCarthy, Oliver Sacks, and many other top-tier contemporary authors.