Posts Tagged: Vietnam
Welcome to This Week in Books, where we highlight books just released by small and independent presses. Books have always been a symbol for and means of spreading knowledge and wisdom, and they are an important part of our toolkit in fighting for social justice....more
Hi there! We’re the two brunettes who hate sex. Sara-Kate hates sex because it’s too aerobic—she once sprained her foot. She lives in Kips Bay, loves candy, and wears exclusively rompers. Elisa Jordana hates sex because she abhors the human penis and all its functions....more
A self-described “actor’s director,” James Steven Sadwith has been writing, directing, and producing television movies, miniseries, and dramas for nearly three decades—and is perhaps best known for his work on the lives of Frank Sinatra and Elvis. But for Coming through the Rye, his first feature film for the big screen, Sadwith comes closer to home, chronicling in fictional form the journey he himself embarked upon as a youth....more
Tokyo’s Morioka Shoten stocks just one book. Shop owner Yoshiyuki Morioka selects a single book each week to sell in his austere boutique.
A new non-profit bookstore in Istanbul, Turkey seeks to focus on Arab culture and the refugee experience as a response to the increasing number of Syrian intellectuals migrating to the city....more
Over at the New Yorker, a journalist returns to what was almost the last town he ever reported on....more
For a smart writer, a ravaged future world also offers something like a perfect literary playground, a cleared field where everything from language to human psychology to social convention can be reconsidered and reframed, critiqued or reimagined.
The Millions reviews Quan Barry’s She Weeps Each Time You’re Born and looks at how it finds the post-apocalyptic future in the present of Vietnam....more
“But for more than thirty years, the manuscript languished in literary purgatory, while the author struggled to find an agent—not to mention a publisher—willing to take it on.
Published in April as a collaboration between the California-based small press El León Literary Arts and Grove/Atlantic, the book—at nearly 650 pages, including a glossary—owes its existence to people in disparate pockets of the publishing industry, as well as to the extraordinary persistence of its sixty-five-year-old author.”...more