How to Make an Oscar Wao

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“It was very late, and we were over at a friend’s house… (T)hat night we were just all hanging out and it was a bunch of Mexican bohemians and me and my Guatemalan buddy. And one of these Mexican cats just pulled a book off a shelf and just cornered me and was like, “My favorite writer in the world.” He was telling me, “My favorite writer in the world is Oscar Wao, I love Oscar Wao, Oscar Wao is brilliant.” And I was dying because I knew he meant Oscar Wilde. That’s where the book began. After that party I went home and I laid in bed, and I suddenly had this idea of this fore-cursed family. This idea of this awkward fat boy and this idea that this family would be cursed in love, that they would have great trouble finding love. You know it just felt like a real good kind of novella, telenovela type plot. I just thought, “Hey, I can work with this, you know, I can really change this into something else.””

-Junot Diaz, from an interview over at Guernica Magazine in which he explains how the idea for the title character and plot of  The Brief Wondrous Life of Oscar Wao came to him.

Seth Fischer’s writing has twice been listed as notable in The Best American Essays and has been nominated for The Pushcart Prize by several publications, including Guernica. He was the founding Sunday editor at The Rumpus and is the current nonfiction editor at The Nervous Breakdown. He is a Dornsife PhD Fellow at USC and been awarded fellowships and residencies by Ucross, Lambda Literary, Jentel, Ragdale, and elsewhere, and he teaches at the UCLA-Extension Writer’s Program and Antioch University, where he received his MFA. More from this author →