Art & Anachronisms


In the New Statesman, Oliver Farry investigates the times we notice anachronisms in film, television, and literature—and why we care.

Alex Norcia is a writer living in Brooklyn. His work has appeared, or is forthcoming, in VICE, The Millions, McSweeney's Internet Tendency, Electric Literature, Word Riot, and the Los Angeles Review of Books, among others. He is an editor-at-large at The Offing. More from this author →