C.S. Leigh’s Evolving Cinephilia
In the current issue of The Believer, the multi-talented artist, writer, filmmaker and mysteriously elusive C.S. Leigh contemplates the “New Physicality of Cinema.” In part, it’s a nostalgic physicality that…
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I Married a Novelist
“What’s it like to be married to another writer?” Someone asks this question, with varying degrees of fascination, every time I do a reading. It’s as predictable as the person…
The Rumpus Review of Tokyo!
There aren’t many three-part, thematically connected, self-contained, trilogy films (I’m trying to avoid that abused word “triptych” here).
THE EYEBALL: Nude Caboose
Yesterday I had the pleasure of interviewing Guy Maddin, the great Canadian auteur and subject of previous Eyeball posts. We spoke for about an hour and a half; he was…
Morning Coffee
1930’s Spanish low-budget Art Deco. Sometimes it’s hard to fight the temptation to turn this whole section into awesome pictures of typeface. Leaked audition tapes for the National Organization for…
Poems Out Loud
For National Poetry Month, Poems Out Loud is featuring people reading their favorite poems aloud. The construction worker who describes his job as “a lot of digging” loves Walt Whitman,…
The Last Book I Loved: The Glass Castle
The problem with reading a modern memoir is that often they suck. The influx of reality shows and confessional writing (ahem, Tori Spelling) has placed an emphasis on story and…
Glenn Kenny on Editing David Foster Wallace
Film writer and former Premiere editor and critic Glenn Kenny talks about his experience editing David Foster Wallace for that magazine in the mid-to-late 90s and his friendship with the…
Looking for a Hole to Hide In
Illustrator Nat Russell can’t remember a time he didn’t draw. Taking in Peanuts and Mad Magazine like popcorn and then the works of printmaker Antonio Frasconi and Ben Shahn,…