Another clip from Polish director Andrzej Zulawski’s masterpiece Possession (1981), starring Isabelle Adjani and Sam Neill. The movie piles on one outrageous, tornado-like scene after another, but it is often…
The 2010 Sundance Film Festival Shorts came through town for a one-night only showing, which I caught earlier this week at the grand old Michigan Theater in Ann Arbor. The…
This ongoing experiment in film writing freezes a film at 10, 40, and 70 minutes, and keeps the commentary as close to those frames as possible. This week, I examine…
I’ve had the book for about a year. Margaret Drabble’s Thank You All Very Much, originally published in 1965 as The Millstone. My copy, a Signet edition from 1969, was…
This ongoing experiment in film writing freezes a film at 10, 40, and 70 minutes, and keeps the commentary as close to those frames as possible. This week, I examine…
This ongoing experiment in film writing freezes a film at 10, 40, and 70 minutes, and keeps the commentary as close to those frames as possible. This week, I examine…
I’ve been a professor at the University of Detroit Mercy for over fifteen years, but it wasn’t until last month that I noticed the girl shielding her face from the…
This ongoing experiment in film writing freezes a film at 10, 40, and 70 minutes, and keeps the commentary as close to those frames as possible. This week, I examine…
While we usually classify films in terms of their genre, or their director, or the actors, what if, instead, we looked for visual patterns that linked them? An auteur theory…
A few weeks ago, a slim catalog from JCPenney arrived in our mailbox. It floated around the house for a few days. On its cover are printed these words: littleredbook…
This ongoing experiment in film writing freezes a film at 10, 40, and 70 minutes, and keeps the commentary as close to those frames as possible. This week, I examine…