Consider: My coming out story has been told, but coming out is constantly changing and shifting and needs retelling, and each telling has value for a particular audience.
The [novel's] main question would be, How does a man stuck in resentment and anger at others and the world, who lacks a sense of belonging and sense of his usefulness in the world, find his way out of that?
Everyone, even the most tell-all writer, withholds something in the interests of protecting herself or others, but my interest in my own stories has always been to use them to illustrate larger stories about the culture . . .
...we live in a culture that’s at once euphemistic and profoundly hyperbolic, where people try as hard as possible to not actually be saying anything so that they can never be accused of holding any position. Whereas it’s important to me, to talk about what people really do, what they really feel.