Features & Reviews
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“A Here that is Not This”: An Undocupoets Roundtable Conversation
Writing is not a luxury. It’s the documentation of our decolonial imaginary.
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Unfun: Mariah Stovall’s I Love You So Much It’s Killing Us Both
There’s a temptation to look for narrative redemption, a sense of completeness, some reassurance that the trouble was worthwhile, that all will be okay.
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Never Just One Story: A Conversation with Wayne Scott
Falling in love for the first time is like the first draft of a short story you’re writing— messy and exciting and full of possibilities.
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The Wildness of Grief: Sarah Giragosian’s Mother Octopus
…mothering is entwined with dying throughout this wide-ranging volume, as birth and death are revealed as two sides of one leaf.
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LittlePuss Press Double Release: On Vivian Blaxell’s Worthy of the Event: An Essay & Anton Solomonik’s Realistic Fiction
If the LittlePuss books are advanced exercises in cognitive dissonance, Blaxell and Solomonik insist on returning to matters of the heart.
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Masculinity, Grief, and Music: A Conversation with Denne Michele Norris
Our capacity for imagination is boundless—and that’s where there’s some porousness between how different people move through the world.
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The First Book: Sam Ashworth
The human body is the most miraculous machine, and each of us gets one—just one.
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Past is Prelude: Denne Michele Norris’s When The Harvest Comes
Norris’s ability to create interlocking portraits of flawed but somehow still lovable characters is one of her masterful offerings.
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Imagining is an Act of Love: A Conversation with Lynn Steger Strong
…no human being is explicitly good or explicitly bad, and asking a character to be relatable all of the time negates the possibility of their being a fully realized human.
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“A black sheet between present and ancestors”: Kiran Bath’s Instructions for Banno
It is as if we are falling backward, towards the sky, towards the structural silencing of bannos, and Bath’s words wrap around us like curled balloon string and lead us back toward the ground.
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The Relentless Impressionism of Immigration: Shubha Sunder’s Optional Practical Training
Sunder’s impressionistic lens also reveals that, perhaps, only in stepping back from intense initiations into new spaces can we see them clearly.
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An Accidental Daring: A Conversation with Lauren K. Watel
I do think that making something out of your fear is a hopeful act, at least on the level of the individual.