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Features & Reviews

9291 posts
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  • Interviews

Excavating Land, One Ancestor at a Time: A Conversation with Susan A. Brewer

  • Abby Higgs
  • October 7, 2024
The people keeping the records tend to have authority, and they tend to have an agenda, so they’re going to portray things in a way that fits their agenda.
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  • Poetry
  • Reviews

Slant Panes of Light: Emilie Menzel’s The Girl Who Became a Rabbit

  • Gina Thayer
  • October 2, 2024
Meaning is fleeting. Meaning is self-made.
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  • Interviews

I Have Been Mythologizing Myself: A Conversation with Saba Keramati

  • Olivia Q. Pintair
  • October 2, 2024
To create art is to share one’s own mythologies with the larger world.
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WHY WE READ cover image
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  • Reviews

I Like Books About Books: A Review of Shannon Reed’s Why We Read

  • Katrina Ray-Saulis
  • October 1, 2024
WHY WE READ reminds us not only of where we began as readers but also where we could go if we release our inhibitions and allow ourselves to simply enjoy reading.
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  • Interviews

The Sad–Beautiful: A Conversation with Amy Stuber

  • Jennifer Wortman
  • September 30, 2024
I usually go into a story with a feel for a situation or a character or a place more than an actual storyline.
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  • Interviews

My Voice Doesn’t Fall Neatly into a Category: A Conversation with Desiree Akhavan

  • Kim Samek
  • September 25, 2024
I think everyone changes. I feel a lot more steadfast in who I am and what I make.
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WE BURN DAYLIGHT cover image
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  • Reviews

How to Win a Gunfight: Bret Anthony Johnston’s We Burn Daylight

  • Acree Graham Macam
  • September 24, 2024
The teens in this book seem to know something the adults don’t: that if they are going to have any kind of future, they must create it themselves.
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  • Interviews

Living in a Nowhere Space: A Conversation with Olivia Gatwood

  • Claire Davidson
  • September 23, 2024
Tech perpetuates ideas we’ve already had about women, but it just blows them out of proportion to kind of impossible degrees.
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  • The First Book

The First Book: Santiago Jose Sanchez

  • Santiago Jose Sanchez
  • September 18, 2024
I was repeatedly drawn to the fractures in my life—the gaps between childhood, adolescence, and adulthood, and my relationships with sex, my mother, and my motherland.
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BLUE EXODUS cover
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  • Poetry
  • Reviews

Reversing the Apocalypse: A Review of Hussain Ahmed’s Blue Exodus

  • O-Jeremiah Agbaakin
  • September 18, 2024
...the world of the dead, the living, and the unborn are all in a cycle. Human materiality is indestructible.
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  • Interviews

The Complex Heritage of Assimilation: A Conversation with Randy Ribay

  • Brian Truong
  • September 18, 2024
Our collective individual efforts impact in some way, the community. It’s important for me to not pass judgment because we are all figuring it out.
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  • Reviews

The Eternal Grind: Nick Rees Gardner’s Delinquents and Other Escape Attempts

  • Bryn Grey
  • September 17, 2024
A clever manipulator of time, Gardner doesn’t rely on the convenience of thirst to move his characters through the page.
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