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Features & Reviews

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Wide-Eyed and Awed: Keegan Lester’s this shouldn’t be beautiful but it was & it was all I had so I drew it

  • M Jaime Zuckerman
  • February 16, 2018
Lester often weaves past and present, the personal and the vast into one poem, leaping between these seeming opposites.
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  • Rumpus Original

Language Is Sensational: A Conversation with Eileen G’Sell

  • Emma Winsor Wood
  • February 16, 2018
Eileen G'Sell discusses her debut collection, Life After Rugby, how and why she chose her book's title, and challenging gender categories.
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  • Sex

The Rumpus Mini-Interview Project #123: Erica Garza

  • Jaime Herndon
  • February 15, 2018
"[T]here was something really empowering about being honest and open about this part of myself. Somehow, writing helped lessen the shame."
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A Source of Life: Red Clocks by Leni Zumas

  • Chelsea Leu
  • February 14, 2018
There’s a lot left unsaid between the women of Red Clocks; not even they know the extent to which they’re all connected.
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Which Flame Is Mine?: A Conversation with Rajiv Mohabir

  • Justin Bigos
  • February 12, 2018
Rajiv Mohabir discusses his second collection, The Cowherd's Son, his work as a translator, and resisting erasure in a racist America.
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What to Read When You Want to Celebrate Black History

  • The Rumpus
  • February 9, 2018
Rumpus editors share for their favorite writing that speaks to black history, past and present.
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Intentions, Inquiries, and Impossible Tasks: Jenny Molberg’s Marvels of the Invisible

  • Matthew Minicucci
  • February 9, 2018
We discover that each of these moments and stories is held to the boat’s body like a clew: tight; so much so as to be nearly indistinguishable from the whole.
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The Rumpus Mini-Interview Project #122: Nathan Hill

  • Jon Kaleugher
  • February 8, 2018
"Write what you want to write, he said, and let other people deal with taxonomies."
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Not a Single False Moment: I Am, I Am, I Am by Maggie O’Farrell

  • Taylor Larsen
  • February 7, 2018
What makes this memoir so fine, so special, is not just the power of these brushes with death, but [O'Farrell's] examination of them.
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The Text Is My Body: A Conversation with Gabrielle Civil

  • Raj Chakrapani
  • February 7, 2018
Performance artist and poet Gabrielle Civil discusses her book, Swallow the Fish, how technology has shaped reactions to female nudity, and the importance of risking change.
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The House of Fiction Has Many Rooms: Talking with Sigrid Nunez

  • Jess deCourcy Hinds
  • February 5, 2018
Sigrid Nunez discusses her seventh novel, The Friend, her fondness for writing about animals, and the ways the literary world has changed.
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What to Read When You’re Feeling like a Criminal

  • The Rumpus
  • February 2, 2018
Rumpus editors share their favorite fiction, poetry, and nonfiction books that deal with crime, criminals, and the criminal justice system.
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