Features & Reviews
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Language Is Sensational: A Conversation with Eileen G’Sell
Eileen G’Sell discusses her debut collection, Life After Rugby, how and why she chose her book’s title, and challenging gender categories.
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The Rumpus Mini-Interview Project #123: Erica Garza
“[T]here was something really empowering about being honest and open about this part of myself. Somehow, writing helped lessen the shame.”
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A Source of Life: Red Clocks by Leni Zumas
There’s a lot left unsaid between the women of Red Clocks; not even they know the extent to which they’re all connected.
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Which Flame Is Mine?: A Conversation with Rajiv Mohabir
Rajiv Mohabir discusses his second collection, The Cowherd’s Son, his work as a translator, and resisting erasure in a racist America.
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What to Read When You Want to Celebrate Black History
Rumpus editors share for their favorite writing that speaks to black history, past and present.
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Intentions, Inquiries, and Impossible Tasks: Jenny Molberg’s Marvels of the Invisible
We discover that each of these moments and stories is held to the boat’s body like a clew: tight; so much so as to be nearly indistinguishable from the whole.
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The Rumpus Mini-Interview Project #122: Nathan Hill
“Write what you want to write, he said, and let other people deal with taxonomies.”
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Not a Single False Moment: I Am, I Am, I Am by Maggie O’Farrell
What makes this memoir so fine, so special, is not just the power of these brushes with death, but [O’Farrell’s] examination of them.
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The Text Is My Body: A Conversation with Gabrielle Civil
Performance artist and poet Gabrielle Civil discusses her book, Swallow the Fish, how technology has shaped reactions to female nudity, and the importance of risking change.
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The House of Fiction Has Many Rooms: Talking with Sigrid Nunez
Sigrid Nunez discusses her seventh novel, The Friend, her fondness for writing about animals, and the ways the literary world has changed.
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What to Read When You’re Feeling like a Criminal
Rumpus editors share their favorite fiction, poetry, and nonfiction books that deal with crime, criminals, and the criminal justice system.
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So Much Love of Death: A Crown of Violets by Renée Vivien
Translation always sacrifices something, and Pious, in her translations, has been consistent about the choice to cleave to some formal principles and lean away from others.