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Features & Reviews

9297 posts
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  • Interviews

Out of the Silence Comes the Form: A Conversation with Linnea Axelsson

  • Susan Devan Harness
  • February 21, 2024
An oral tradition is something you can add to a story that already exists, and you can now retell in a way.
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  • Reviews

The Potential Literature of Life: Alphabetical Diaries by Sheila Heti

  • Sophie van Well Groeneveld
  • February 20, 2024
Stop talking to anyone, everyone, about your new projects—just be quiet and think.
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  • Interviews

The Tightrope Walk between Authenticity and Fraudulence: A Conversation with Diego Báez

  • Daniel A. Olivas
  • February 19, 2024
Humor and self-deprecation can impose an ironizing distance, but at what cost?
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  • Interviews

The First Book: Kate Brody

  • Kate Brody
  • February 14, 2024
You have to advocate for your work and make sure that you aren’t waiting on some fairy godmother that isn’t coming.
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  • Interviews

AI as Memoir: A Conversation with Amy Kurzweil

  • Rebecca Ackermann
  • February 14, 2024
Identity is a pastiche. My identity is made up of my family identities, in addition to other things that I’m always struggling to find.
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  • Reviews

Curiosity is the Devil’s Lure: Liliana Colanzi’s You Glow in the Dark

  • Enrique Aureng Silva
  • February 13, 2024
Colanzi is rebelling against the loss of collective memory of tragedy, against the unbearable fact that things go back to normal faster than they should.
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  • Interviews

Writing a Poem as An Act of Faith: A Conversation with Yalie Saweda Kamara

  • Junious Ward
  • February 12, 2024
Each day returning to this book teaches me something else. It teaches me about the height of my optimism.
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  • Poetry
  • Reviews

Let it tremble in riotous beauty: Ana Portnoy Brimmer’s To Love an Island

  • Éric Morales-Franceschini
  • February 7, 2024
Our love should make us quake, quake like a storm, a storm that tears down “the whole blood-marbled edifice.”
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  • Interviews

I Had to Hold a Whole Ocean in My Hands: A Conversation with Ani Gjika

  • Jung Hae Chae
  • February 7, 2024
To be human means to be forever shifting with the emotions of the day, of the hour. We are never just one thing.
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  • Reviews

The Gravity of Displacement: Balsam Karam’s The Singularity

  • Emily McBride
  • February 6, 2024
A refugee tale is always about the children, not least because they are the tellers.
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  • Interviews

Reversing Reversal: A Conversation with Lisa Olstein

  • Amanda Hawkins
  • February 5, 2024
I’m interested in complexity. I’m interested in the fact that very few things are simple.
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  • Interviews

Making Absurd Logic Salient: A Conversation with Alexander Sammartino

  • Alexandra Chang
  • January 31, 2024
I like to think of the short novel as the thin elephant; as an artistic form, it interests me because, by definition, it exists in a state of tension. 
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