The Work We Can Do Only As We Age: A Conversation with Priscilla Long
I approach research dutifully and compulsively.
Features & Reviews
9229 posts
The No-Man’s Land Between Art and Self: Seth Rogoff’s The Kirschbaum Lectures
We look for ourselves in literature—for comfort or for guidance—but the page rarely provides a clean mirror.
Broadening the Scope of the Environmental Canon: An Interview with Camille T. Dungy
Some books defy categories. Soil: The Story of a Black Mother’s Garden (Simon & Schuster, 2023) by poet Camille T. Dungy pushes the limits of what readers might expect from…
the strange, the surprising, the slightly off-center: A Rumpus Conversation with J. Bailey Hutchinson
part of my fixation with textured and torqued language . . . stems from growing up in the South, where figurative language isn’t limited to formal literary spaces.
Not every queer story needs to be a coming out story: An Interview with Miah Jeffra
Don’t we often write about what we struggle to understand?
Sketch Book Reviews: Poetry Unbound
I think when things in the world seem particularly bad/sad/awful, poetry can add a little light
I Never Thought I’d Write a Book Like This: An Interview with Nicole Chung
It's my year of Banana.
The Poem is Second, Living is First: An Interview with Tim Z. Hernandez
Above everything else, people come first.
The Sound of Home: Sonorous Desert by Kim Haines-Eitzen
. . . if we open our ears . . . we might even find ourselves feeling truly home
I Freed Myself from Needing to Make Sense: A Conversation with Leila Chatti
I’ve learned by now my mind is smarter than I am, than my conscious self—it’s doing all sorts of things in there, unbeknownst to me. I often tell my students that the poem knows better than I do, and so I shouldn’t be arrogant enough to think I’m in control.
Waking Up at the Wake: Desire, Death, and Disruption in A Shiver in the Leaves
When I consider a shiver in the leaves, my mind fares in two directions: One is back to my first-time experience with psilocybin, shocked at how the fig leaves hung as if shivering . . . and the other is back through American history . . .